Detailinformationen

12 Preludes;Hunter's Moon;2 Irish Pieces;Contes Barbares;
Cinderella;Water Lilies;Night Thoughts;Movements

  • Künstler: Ashley Wass
  • Label: Naxos, DDD, 2007
  • Bestellnummer: 1024460
  • Erscheinungstermin: 29.8.2008
  1. 1 12 Preludes: No. 1 in E flat major Start
  2. 2 12 Preludes: No. 2 in A major Start
  3. 3 12 Preludes: No. 3 in A major Start
  4. 4 12 Preludes: No. 4 in F major Start
  5. 5 12 Preludes: No. 5 in D major Start
  6. 6 12 Preludes: No. 6 in G and F sharp major Start
  7. 7 12 Preludes: No. 7 in B major Start
  8. 8 12 Preludes: No. 8 in E flat major Start
  9. 9 12 Preludes: No. 9 in C major Start
  10. 10 12 Preludes: No. 10 in D major Start
  11. 11 12 Preludes: No. 11 in D flat major Start
  12. 12 12 Preludes: No. 12 in D major Start
  13. 13 Hunter's Moon: No. 1. Midsummer Magic Start
  14. 14 Hunter's Moon: No. 2. The Darkening Wood Start
  15. 15 Hunter's Moon: No. 3. Ride by Night Start
  16. 16 2 Irish Pieces: No. 1. From the Countryside Start
  17. 17 2 Irish Pieces: No. 2. Paddy the Fiddler Start
  18. 18 Contes Barbares (Homage to Paul Gaugin): No. 1. Auti te pape (Woman at the River) Start
  19. 19 Contes Barbares (Homage to Paul Gaugin): No. 2. Le Vivo (Danse Tahitienne) Start
  20. 20 Contes Barbares (Homage to Paul Gaugin): No. 3. Manao Tupapau (She Dreams of Returning) Start
  21. 21 Contes Barbares (Homage to Paul Gaugin): No. 4. Dance Fragment Start
  22. 22 Contes Barbares (Homage to Paul Gaugin): No. 5. Nevermore Start
  23. 23 Contes Barbares (Homage to Paul Gaugin): No. 6. Te Atua (The Gods) Start
  24. 24 Contes Barbares (Homage to Paul Gaugin): No. 7. Mahna No Varua Ino (The Devil Speaks) Start
  25. 25 Cinderella Start
  26. 26 Water Lilies Start
  27. 27 Night Thoughts Start
  28. 28 Movements: I. Allegro appassionato - Allegro ma non troppo Start
  29. 29 Movements: II. Evocation: Andante rubato Start
  30. 30 Movements: Iii. The Devil's Reel: Allegro Ritmico Start

Produktinfo

Alwyn's approach to writing for the piano was essentially that of a romantic, born out of the tradition exemplified by Liszt and Rachmaninov, through to the impressionism inherent in the music of Debussy and Ravel. Influences aside, however, Alwyn found his own individual way in writing for the piano, as can be heard from the works presented here. His intuitive writing for the instrument resulted not just in virtuoso pieces for the concert hall, but also sensitive miniatures of a highly expressive nature, along with many educational pieces for examination purposes. As with the previous volume of piano music (8.570359) examples of all these will be found on this recording.

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