Detailinformationen

+Kantate "Ioann Damaskin" op. 1

  • Künstler: Ilya Kaler, Gnesin Academy Chorus, Russian PO, Thomas Sanderling
  • Label: Naxos, DDD, 2007
  • Bestellnummer: 1067326
  • Erscheinungstermin: 31.8.2009
  1. 1 Ioann Damaskin (John of Damascus), Op. 1: Idu v nevedomiy mne put' (I begin a journey into the unknown): Adagio ma non t Start
  2. 2 Ioann Damaskin (John of Damascus), Op. 1: No vechnim snom poka ya splyu (But while I sleep with the eternal sleep): Anda Start
  3. 3 Ioann Damaskin (John of Damascus), Op. 1: V tot den', kogda truba (On the day when a trumpet): Allegro Start
  4. 4 Suite de concert, Op. 28: I. Prelude: Grave Start
  5. 5 Suite de concert, Op. 28: II. Gavotte: Allegro moderato Start
  6. 6 Suite De Concert, Op. 28: Iii. Marchen (The Fairy Tale): Andantino Start
  7. 7 Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino Start
  8. 8 Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato Start
  9. 9 Suite de concert, Op. 28: IV. Theme and Variations: Variation 2: Allegro energico Start
  10. 10 Suite de concert, Op. 28: IV. Theme and Variations: Variation 3: Tempo di valse Start
  11. 11 Suite de concert, Op. 28: IV. Theme and Variations: Variation 4: Fuga doppia: Allegro molto Start
  12. 12 Suite de concert, Op. 28: IV. Theme and Variations: Variation 5: Presto scherzando Start
  13. 13 Suite de concert, Op. 28: IV. Theme and Variations: Variation 6: Tempo di mazurka, Allegro con fuoco Start
  14. 14 Suite de concert, Op. 28: IV. Final Variation and Coda Start
  15. 15 Suite de concert, Op. 28: V. Tarantella: Presto Start

Produktinfo

Inspired by a poem by Aleksey Tolstoy, Taneyev's cantata John of Damascus was the first work that the self-critical Russian composer deemed worthy of an opus number, its sublime music drawing on an ancient sacred chant woven into rich passages of expressive counterpoint. A quarter of a century later, the virtuosic and scintillating Suite de concert, Taneyev's first work for solo violin and orchestra, was also successfully premièred. Thomas Sanderling's first disc in the Naxos Taneyev series (Symphonies Nos. 1 and 3 / 8.570336) was praised by The Guardian for its "strongly characterised performances"."

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