Muzio Clementi (1752-1832): Klaviersonaten Vol.2

Detailinformationen

Sonaten op. 1 Nr. 2;op. 7 Nr. 3;op. 9 Nr. 3;op. 10 Nr. 1;op. 11

  • Künstler: Susan Alexander-Max, Hammerklavier
  • Label: Naxos, DDD, 2004
  • Bestellnummer: 7787161
  • Erscheinungstermin: 29.5.2007
  1. 1 Piano Sonata in E flat major, Op. 11: I. Allegro con grazia Start
  2. 2 Piano Sonata in E flat major, Op. 11: II. Larghetto con espressione Start
  3. 3 Piano Sonata In E Flat Major, Op. 11: Iii. Rondo: Allegro Spiritoso Start
  4. 4 Keyboard Sonata in B flat major, Op. 1bis, No. 2: I. Allegro moderato Start
  5. 5 Keyboard Sonata in B flat major, Op. 1bis, No. 2: II. Andantino grazioso Start
  6. 6 Keyboard Sonata In B Flat Major, Op. 1bis, No. 2: Iii. Allegro Start
  7. 7 Keyboard Sonata in G minor, Op. 7, No. 3: I. Allegro con spirito Start
  8. 8 Keyboard Sonata in G minor, Op. 7, No. 3: II. Cantabile e lento Start
  9. 9 Keyboard Sonata In G Minor, Op. 7, No. 3: Iii. Presto Start
  10. 10 Keyboard Sonata in E flat major, Op. 9, No. 3: I. Allegro assai Start
  11. 11 Keyboard Sonata in E flat major, Op. 9, No. 3: II. Larghetto Start
  12. 12 Keyboard Sonata In E Flat Major, Op. 9, No. 3: Iii. Prestissimo Start
  13. 13 Keyboard Sonata in A major, Op. 10, No. 1: I. Allegro con spirito Start
  14. 14 Keyboard Sonata in A major, Op. 10, No. 1: II. Minuetto: Allegretto con moto Start
  15. 15 Keyboard Sonata In A Major, Op. 10, No. 1: Iii. Prestissimo Start

Produktinfo

Muzio Clementi was famous throughout his lifetime as both a composer and a virtuoso performer, appearing at the court of France and competing with Mozart in Vienna. His keyboard sonatas, over a hundred in number, were immensely popular and influential, and his legacy as a performer and teacher was of considerable importance in the development of piano technique. The sonatas composed at the beginning of the 1780s heard on this recording are about extending the limits of the piano and making an emotional impact. The Sonata in G minor, Op. 7, No. 3 is a fine example: the first and second movements are quite extraordinary for their cantabile legato lines while the third movement, with its exciting array of octaves, is full of fortissimos, sforzandos and exhilaration.

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