Karol Szymanowski (1882-1937): Symphonien Nr.2 & 3

Detailinformationen

  • Künstler: Ryszard Minkiewicz, Ewa Marczyk, Warsaw Philharmonic Choir & Orchestra, Antoni Wit
  • Label: Naxos, DDD, 2007
  • Bestellnummer: 1137240
  • Erscheinungstermin: 29.2.2008
  1. 1 Symphony No. 2 in B flat major, Op. 19: I. Allegro moderato - Grazioso Start
  2. 2 Symphony No. 2 in B flat major, Op. 19: II. Theme: Lento - Start
  3. 3 Symphony No. 2 in B flat major, Op. 19: II. Variation 1: L'istesso tempo - Start
  4. 4 Symphony No. 2 in B flat major, Op. 19: II. Variation 2: L'istesso tempo - Start
  5. 5 Symphony No. 2 in B flat major, Op. 19: II. Variation 3: Scherzando. Molto vivace - Start
  6. 6 Symphony No. 2 in B flat major, Op. 19: II. Variation 4: Tempo di gavotte - Start
  7. 7 Symphony No. 2 in B flat major, Op. 19: II. Variation 5: Tempo di minuetto - Start
  8. 8 Symphony No. 2 in B flat major, Op. 19: II. Variation 6: Vivace e capriccioso - Start
  9. 9 Symphony No. 2 in B flat major, Op. 19: II. Fuga Start
  10. 10 Symphony No. 3, Op. 27, "Piesn o nocy" (The Song of the Night): I. Moderato assai Start
  11. 11 Symphony No. 3, Op. 27, "Piesn o nocy" (The Song of the Night): II. Allegretto tranquillo Start
  12. 12 Symphony No. 3, Op. 27, "piesn O Nocy" (The Song Of The Night): Iii. Largo Start

Produktinfo

Composed in 1910, at a time when Szymanowski was influenced by Richard Strauss, Reger and Scriabin, the unusually structured Symphony No. 2 is a work of great power and invention, with many passionate and varied contrasts in its use of solo instruments, in particular the violin. Szymanowski's Symphony No. 3 'Song of the Night', in which orchestra, tenor and choir are subtly blended in a continuous web of intoxicating sound, is a ravishing setting of a Polish translation of a poem by the great medieval Persian mystic known as Mevlânâ, our Master, Jaläl ad-Din, which evokes the mysteries and beauty of a starlit Persian night.

Pressestimmen

FonoForum 08 / 08: "Antoni Wit interpretiert diese raffinierten Partituren direkt, zügig und konturenscharf, ohne ihre spezifische Farbigkeit zu vernachlässigen. Die Formabläufe teilen sich plastisch mit und halten den Musikablauf, der labyrinthisch wirken könnte, in jedem Moment prägnant und überschaubar. Die Warschauer Philharmoniker besitzen ein erfreuliches spieltechnisches Niveau."

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