Detailinformationen

Infelice Sventurata H24b: 15 für Cimarosas "I due supposti
Conti"; Costretta A Piangere H24b: 1 aus einer verlorenen
Oper; Signor, Voi Sapete H24b: 7 für Anfossis "Il
Matrimonio per inganno"; Solo E Pensoso H24b: 20 über "Il
Canzoniere" von Petrarca; Dice Benissimo H24b: 5 für
Salieris "La Scuola de' Gelosi"; Da Che Penso A Maritarmi
H24b: 16 für Gassmanns "L'amore artigiano"; Se Tu Mi
Sprezzi, Ingrata H24b: 14 für Sartis "Finti Eredi"; Tornate
Pur Mia Bella H24b: 22 für eine unbekannte Oper; Begli
Occhi Vezzosi H28: 7 aus "Il mondo della luna"; Ah, Tu Non
Senti - Qual Destra Omicida H24b: 10 für Traettas "Ifigenia
in Tauride"
+La Circe (3 Arien aus einem Opern-Pasticcio

Tonformat: stereo & multichannel (Hybrid)
  • Künstler: Miah Persson, Ivan Paley, Bernard Richter, Kirstin Chavez, Christoph Genz, Manfred Hemm, Haydn Sinfonietta Wien, Manfred Huss
  • Label: BIS, DDD, 2008/2009
  • Bestellnummer: 9396721
  • Erscheinungstermin: 9.12.2009
  1. 1 Infelice sventurata (Aria di Beatrice) Start
  2. 2 Costretta a piangere (Aria di Dorina) Start
  3. 3 Signor, voi sapete (Aria di Rosina) Start
  4. 4 Solo e pensoso (Aria da Il canzoniere di Petrarca) Start
  5. 5 Dice benissimo (Aria di Lumaca) Start
  6. 6 Da che penso a maritarmi (Aria di Titta) Start
  7. 7 Se tu mi sprezzi, ingrata (Aria del Cavaliere) Start
  8. 8 Tornate pur mia bella (Aria) Start
  9. 9 Begli occhi vezzosi (Aria di Ernesto) Start
  10. 10 Ah, tu non senti - Qual destra omicida (Recitativo ed Aria di Oreste) Start

La Circe (Oper) (Auszug)

  1. 11 L'ipocondriaco - La bella incognita ossia La Mage Circe Start
  2. 12 Scena di Pedrillo Start
  3. 13 Latatevi presto Start

Produktinfo

Haydn composed more than twenty operas, mainly for the sumptuous theatre at Eszterháza, the palace of his long-time employers, the princes of Esterházy. Even so, his work in the operatic field remains largely neglected. This disc focuses on an even more closely guarded secret: the so-called 'insertion arias' that Haydn wrote for inclusion in operas by other composers. The rarely, if at all, recorded music includes Haydn's three contributions to La Circe, an opera pasticcio which combined music by several composers, and six of the surviving insertion arias. Among these is Infelice sventurata, written for an opera by Cimarosa, and one of Haydn's finest arias, here movingly performed by Miah Persson. The Swedish soprano shares the greater part of the programme with the Swiss tenor Bernard Richter. The latter in Ah, tu non senti, amico takes on what, according to the initiated liner notes of conductor and Haydn specialist Manfred Huss, 'may be the highest drama in eighteenth-century music - ghostly and spine-chilling in a Hitchcockian manner.' In contrast, Huss describes the concluding tercet from La Circe as 'a tremendously witty and energetic and also dramatic scene that sounds like Mozart - or perhaps even like Rossini'. This varied programme thus becomes an illustration of Mozart's verdict on Haydn as an opera composer: 'Nobody can do all of this - flirt and unsettle, provoke laughter and deep emotions - as well as Haydn!' It is presented by Manfred Huss and his period band Haydn Sinfonietta Wien as part of a Haydn bicentenary celebration, which includes four previous, highly acclaimed releases. The opera fragment Acide was called 'a wonderful tribute to Joseph Haydn' by the reviewer of MusicWeb International, who also found Bernard Richter 'outstanding' in the title role. The review of the marionette opera Philemon und Baucis on ClassicsToday. com described the work as 'exceptionally moving stuff, full of Sturm und Drang, with . music of substantial humanity and warmth.' And the playing of Haydn Sinfonietta Wien on the two collections of overtures (BIS-CD-1818) and chamber works (BIS-CD-1796 / 98) has been unanimously praised: 'the ideal interpreters for these works' (Pizzicato) and 'sensational... lively tempos, gutsy brass and timpani, perky winds, and stunning music' (ClassicsToday. com).

EUR 19,99*

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