Johann Sebastian Bach (1685-1750): Messe h-moll BWV 232

Detailinformationen

  • Künstler: Elisabeth Schwarzkopf, Marga Höffgen, Nicolai Gedda, Heinz Rehfuss, Wiener Philharmoniker, Philharmonia Orchestra, Herbert von Karajan
  • Label: Naxos, ADD/m, 1952/53
  • Bestellnummer: 7760183
  • Erscheinungstermin: 31.7.2006

Disk 1 von 2

  1. 1 Messe H-Moll Bwv 232 Start
  2. 2 Kyrie eleison (Kyrie) Start
  3. 3 Christe eleison Start
  4. 4 Kyrie eleison Start
  5. 5 Gloria in excelsis Deo (Gloria) Start
  6. 6 Laudamus te Start
  7. 7 Gratias agimus Start
  8. 8 Domine Deus Start
  9. 9 Qui tollis Start
  10. 10 Qui sedes Start
  11. 11 Quoniam tu solus Start
  12. 12 Cum sancto Spiritu Start
  13. 13 Credo in unum Deum (Credo) Start
  14. 14 Patrem omnipotentem Start
  15. 15 Et in unum Dominum Start
  16. 16 Et incarnatus est Start

Disk 2 von 2

  1. 1 Crucifixus Start
  2. 2 Et resurrexit Start
  3. 3 Et in Spiritum sanctum Start
  4. 4 Confiteor Start
  5. 5 Et exspecto resurrectionem Start
  6. 6 Sanctus (Sanctus) Start
  7. 7 Osanna Start
  8. 8 Benedictus Start
  9. 9 Osanna Start
  10. 10 Agnus Dei (Agnus Dei) Start
  11. 11 Dona nobis pacem Start
  12. 12 Messe H-Moll Bwv 232 (Auszug) Start
  13. 13 Laudamus te Start
  14. 14 Messe H-Moll Bwv 232 (Auszug) Start
  15. 15 Et in unum Dominum Start
  16. 16 Messe H-Moll Bwv 232 (Auszug) Start
  17. 17 Et in Spiritum sanctum Start
  18. 18 Messe H-Moll Bwv 232 (Auszug) Start
  19. 19 Benedictus Start
  20. 20 Messe H-Moll Bwv 232 (Auszug) Start
  21. 21 Agnus Dei Start

Produktinfo

This legendary recording of Bach's B minor Mass was made, most unusually, in two places and with two orchestras. The Vienna Philharmonic Orchestra was booked, anonymously, to record the choruses with the Choral Society of the Friends of Music, Vienna, while the reduced forces of the Philharmonia, with the section principals for instrumental solo parts, accompanied the solos and duets in London. Critical comment on this recording when it first appeared in 1954 was virtually unanimous. The Record Guide (Collins, 1955) remarked: "The principal qualities of Karajan's reading are lightness, absolute clarity of sound and rhythmic buoyancy, all of them qualities that many performances miss. Karajan, and [the] engineers, allow us to hear all the vocal and instrumental parts. Choral and solo singing are delightful."

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