Johann Sebastian Bach (1685-1750): Klavierkonzert BWV 1052

Detailinformationen

+Partiten BWV 829 & 830;Fugen fis-moll BWV 883 & E-Dur
BWV 878 aus WTK 2

  • Künstler: Glenn Gould (Klavier),Columbia Symphony Orchestra, Leonard Bernstein
  • Label: Naxos, ADD/m, 1957
  • Bestellnummer: 6537672
  • Erscheinungstermin: 5.4.2010
  1. 1 Keyboard Concerto In D Minor, Bwv 1052: I. Allegro Start
  2. 2 Keyboard Concerto In D Minor, Bwv 1052: Ii. Adagio Start
  3. 3 Keyboard Concerto In D Minor, Bwv 1052: Iii. Allegro Start
  4. 4 Partita No. 5 In G Major, Bwv 829 : I. Preambulum Start
  5. 5 Partita No. 5 In G Major, Bwv 829 : Ii. Allemande Start
  6. 6 Partita No. 5 In G Major, Bwv 829 : Iii. Corrente Start
  7. 7 Partita No. 5 In G Major, Bwv 829 : Iv. Sarabande Start
  8. 8 Partita No. 5 In G Major, Bwv 829 : V. Tempo Di Minuetto Start
  9. 9 Partita No. 5 In G Major, Bwv 829 : Vi. Passepied Start
  10. 10 Partita No. 5 In G Major, Bwv 829 : Vii. Gigue Start
  11. 11 Partita No. 6 In E Minor, Bwv 830 : I. Toccata Start
  12. 12 Partita No. 6 In E Minor, Bwv 830 : Ii. Allemande Start
  13. 13 Partita No. 6 In E Minor, Bwv 830 : Iii. Corrente Start
  14. 14 Partita No. 6 In E Minor, Bwv 830 : Iv. Air Start
  15. 15 Partita No. 6 In E Minor, Bwv 830 : V. Sarabande Start
  16. 16 Partita No. 6 In E Minor, Bwv 830 : Vi. Tempo Di Gavotta Start
  17. 17 Partita No. 6 In E Minor, Bwv 830 : Vii. Gigue Start
  18. 18 The Well-Tempered Clavier, Book 2, Bwv 870 - 893: Fugue No. 14 In F Sharp Minor, Bwv 883 Start
  19. 19 The Well-Tempered Clavier, Book 2, Bwv 870 - 893: Fugue No. 9 In E Major, Bwv 878 Start

Produktinfo

Canadian pianist Glenn Gould's first Columbia recording, his classic 1955 Goldberg Variations [Naxos 8.111247], and second, Beethoven's last three piano sonatas [Naxos 8.111299], were followed by this 1957 rendition of Bach's D minor Concerto, praised by The New York Times critic Harold Schoenberg for its 'considerable dash... fine ensemble and musical finesse'. Of Gould's re-recordings of two keyboard partitas (he was dissatisfied with the first takes from 1956) one critic registered his astonishment when 'confronted with the naked imagination and sensitivity of a genius'.The two fugues from The Well-Tempered Clavier are further testimony to Gould, the creative artist, shedding new light on familiar works with conviction.

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