Detailinformationen

+Partita BWV 829

  • Künstler: Glenn Gould (Klavier)
  • Label: Naxos, ADD/m, 1955/54
  • Bestellnummer: 8961150
  • Erscheinungstermin: 19.3.2007

Weitere Ausgaben von Goldberg-Variationen BWV 988

Partita Für Cembalo Nr. 5 G-Dur Bwv 829 (Aus Clavierübung I)

  1. 1 1. Praeambulum Start
  2. 2 2. Allemande Start
  3. 3 3. Corrente Start
  4. 4 4. Sarabande Start
  5. 5 5. Tempo di minuetto Start
  6. 6 6. Passepied Start
  7. 7 7. Gigue Start

Goldberg-Variationen, Aria Mit 30 Veränderungen (Clavierübung Iv) Bwv 988

  1. 8 Aria Start
  2. 9 Variation 1 Start
  3. 10 Variation 2 Start
  4. 11 Variation 3: Canon on the unison Start
  5. 12 Variation 4
  6. 13 Variation 5 Start
  7. 14 Variation 6: Canon on the second Start
  8. 15 Variation 7 Start
  9. 16 Variation 8 Start
  10. 17 Variation 9: Canon on the third Start
  11. 18 Variation 10: Fughetta Start
  12. 19 Variation 11 Start
  13. 20 Variation 12: Canon on the fourth Start
  14. 21 Variation 13 Start
  15. 22 Variation 14 Start
  16. 23 Variation 15: Canon on the fifth Start
  17. 24 Variation 16: Overture Start
  18. 25 Variation 17 Start
  19. 26 Variation 18: Canon on the sixth Start
  20. 27 Variation 19 Start
  21. 28 Variation 20 Start
  22. 29 Variation 21: Canon on the seventh Start
  23. 30 Variation 22: Alla breve Start
  24. 31 Variation 23
  25. 32 Variation 24: Canon on the octave
  26. 33 Variation 25 Start
  27. 34 Variation 26
  28. 35 Variation 27: Canon on the ninth
  29. 36 Variation 28
  30. 37 Variation 29
  31. 38 Variation 30: Quodlibet
  32. 39 Aria da capo Start

Produktinfo

The Canadian pianist Glenn Gould burst onto the world's musical stage in January 1955 when he made his United States recital début in Washington D. C. with Bach's Goldberg Variations. His 1955 recording of the work is one of the most important and influential piano discs of the second half of the twentieth century, leading not only to a wider appreciation of Bach's keyboard works by the general public but to a fundamental re-appraisal of how Bach should be played. When the recording was released the American Record Guide headed its review with 'The Record Début of Glenn Gould a Keyboard Genius.' With its great attention to clarity and detail, little use of the sustaining pedal, andsometimes rapid or extreme tempos, this vital and exciting performance is the complete antithesis to the'sewing-machine' style of Bach playing.

Pressestimmen

A. Csampai in Stereoplay 06 / 07: "Wer die 'Übernahme' bei Naxos als stillos geißelt, dem rate ich, einmal unvoreingenommen in die Budget-Ausgabe hineinzuhören: Sie klingt deutlich klarer und glänzender als alle mir bekannten früheren Digitalversionen der offiziellen Rechte-Inhaber."

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