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Violinkonzert op. 47 für Violine & Klavier; Sonaten in a & F; Andante grazioso D-Dur; Allegro con brio aus der Sonate
D-Dur; Presto a-moll; Menuette in d & e; Andantino a-moll;
9 Stücke für Violine & Klavier; Scherzino F-Dur; Andante
elegiaco fis-moll; Andante cantabile G-Dur; Sonata Allegro
Exposition h-moll; Suiten in d & E; Allegrettos in D & G;
Tempo di valse A-Dur; Allegro (Sonata Exposition) a-moll;
Larghetto d-moll; Largamente e-moll; Adagio d-moll; Grave
d-moll; 2 Stücke op. 2 (Version von 1911); Scene d'amour; 2
Serious Melodies op. 77; 4 Stücke op. 78; 6 Stücke op. 79;
Andante sostenuto E-Dur; Sonatina op. 80; 5 Stücke op. 81;
Novelette op. 102; Danses champetre op. 106; 4 Stücke op. 115;
3 Stücke op. 116; Maurka C-Dur für Violine solo; Impromptu
g-moll für Violine solo; Etüde D-Dur für Violine solo;
Allegretoo A-Dur für Violine solo; En glad musikant für
Violine solo; 2 Stücke op. 2; Romanze op. 78 Nr. 2; Auszüge
aus dem Klavierkonzert op. 47 für Violine & Klavier (Auszüge
aus der 1905er Version des 1. & 2.Satzes, Auszüge aus der
1904er Version des 2. & 3.Satzes).
Jaakko Kuusisto, Nils-Erik Sparf, Madoka Sato, Folke Gräsbeck,
Bengt Forsberg

  • Künstler:
  • Label: BIS, DDD, 1991-2008
  • Bestellnummer: 8564589
  • Erscheinungstermin: 16.9.2008

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Produktinfo

The sixth volume in the BIS SIBELIUS EDITION focuses on the composer’s music for violin and piano (and also includes the few works for solo violin). The violin was in fact the composer’s way into music, and during his early youth his main ambition was to become a concert violinist. It is therefore not surprising that, throughout his life, he wrote a number of works for the instrument, including sonatas and suites as well as collections of shorter pieces and independent miniatures. More surprising is how little known Sibelius’s music for violin is – with the shining exception of the violin concerto, of course.

Lovers of that particular work will be pleased to find it included in this set, too, performed with the piano part that the composer himself prepared for publication. (It is a fact that Sibelius made piano transcriptions of many major orchestral works, in which the piano writing is often virtuosic and is clearly designed to be effective in performance.) Sibelius’s transcription of the definitive version is complemented here by the world première recording of a partially reconstructed version for violin and piano of the original 1903–04 score. This is only the second time the original version of the violin concerto has been recorded – the first recording being Leonidas Kavakos’ and Lahti Symphony Orchestra’s pioneering account. On the present recording it is the Japanese violinist Madoka Sato (a 1995 prizewinner of the International Sibelius Violin Competition) who takes on the daunting task of performing the work with piano, with the formidable support of Sibelius expert Folke Gräsbeck.

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