Giuseppe Verdi (1813-1901): Aida

Detailinformationen

  • Künstler: Callas, Barbieri, Tucker, Gobbi, Zaccaria, La Scala Orchestra, Serafin
  • Label: Naxos, ADD/m, 1955
  • Bestellnummer: 8666079
  • Erscheinungstermin: 4.12.2006

Disk 1 von 2

  1. 1 Aida: Prelude Start
  2. 2 Aida: Act I Scene 1: Si: corre voce che l'Etiope (Ramfis, Radames) Start
  3. 3 Aida: Act I Scene 1: Se quel guerrier io fossi!# Celeste Aida (Radames) Start
  4. 4 Aida: Act I Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames, Aida) Start
  5. 5 Aida: Act I Scene 1: Alta cagion v'aduna, o fidi egizii (King, Messenger, Aida, Radames, Amneris, Ramfis, Priests, Minis Start
  6. 6 Aida: Act I Scene 1: Su! del Nilo al sacro lido (King, Messenger, Radames, Ramfis, Priests, Ministers, Captains, Aida, A Start
  7. 7 Aida: Act I Scene 1: Ritorna vincitor! (Aida) Start
  8. 8 Aida: Act I Scene 2: Possente, possente Ftha (High Priestess, Priestesses, Ramfis, Priests) Start
  9. 9 Aida: Act I Scene 2: Mortal, diletto ai numi (Ramfis, Priests, Radames, Priestesses) Start
  10. 10 Aida: Act II Scene 1: Chi mai fra gl'inni e i plausi (Slaves, Amneris) Start
  11. 11 Aida: Act II Scene 1: Fu la sorte dell'armi (Amneris, Aida) Start
  12. 12 Aida: Act II Scene 1: Su! del Nilo al sacro lido (Soldiers, People, Amneris, Aida) Start
  13. 13 Aida: Act II Scene 2: Gloria all'Egitto, ad Iside (People, Women, Priests, Men) Start
  14. 14 Aida: Act II Scene 2: Triumphal March Start
  15. 15 Aida: Act II Scene 2: Vieni, o guerriero, vindice (People, Priests) Start

Disk 2 von 2

  1. 1 Aida: Act II Scene 2: Salvator della patria, io ti saluto (King, Radames, Ramfis, Priests, Aida, Amonasro) Start
  2. 2 Aida: Act II Scene 2: Quest'assisa ch'io vest vi dica (Amonasro, Aida, Slaves, Prisoners, Ramfis, Priests, King, People) Start
  3. 3 Aida: Act II Scene 2: O re, pei sacri numi (Radames, King, Amneris, Priests, People, Ramfis) Start
  4. 4 Aida: Act II Scene 2: Gloria all'Egitto, ad Iside (King, People, Slaves, Prisoners, Ramfis, Priests, Aida, Radames, Amne Start
  5. 5 Aida: Act Iii: O Tu Che Sei D'osiride (Priests, Priestesses, Ramfis, Amneris) Start
  6. 6 Aida: Act Iii: Qui Radames Verra!# O Patria Mia (Aida) Start
  7. 7 Aida: Act Iii: Ciel! Mio Padre! (Aida, Amonasro) Start
  8. 8 Aida: Act Iii: Pur Ti Riveggo, Mia Dolce Aida (Radames, Aida) Start
  9. 9 Aida: Act Iii: Fuggiam Gli Ardori Inospiti (Radames, Aida) Start
  10. 10 Aida: Act Iii: Aida!# Tu Non M'ami. Va! (Radames, Aida, Amonasro) Start
  11. 11 Aida: Act Iii: Tu! Amonasro! (Radames, Aida, Amonasro, Amneris, Ramfis) Start
  12. 12 Aida: Act IV Scene 1: L'abborrita rivale a me sfuggia (Amneris) Start
  13. 13 Aida: Act IV Scene 1: Gia i sacerdoti adunansi (Amneris, Radames) Start
  14. 14 Aida: Act IV Scene 1: Ohime! Morir mi sento (Amneris, Priests) Start
  15. 15 Aida: Act IV Scene 1: Radames! Radames! Radames! (Ramfis, Priests) Start
  16. 16 Aida: Act IV Scene 2: La fatal pietra sovra me si chiuse (Radames, Aida) Start
  17. 17 Aida: Act IV Scene 2: Presago il core della tua condanna (Aida, Radames, Priests, Priestesses) Start
  18. 18 Aida: Act IV Scene 2: O terra, addio; addio, valle di pianti (Aida, Radames, Priests, Priestesses, Amneris) Start

Produktinfo

Although Aida was one of the roles which Maria Callas sang most, especially in the early years of her career, it is generally agreed that she was better suited to singing Norma, Violetta and Lucia. Nevertheless, when this 1955 recording was first released, Harold Rosenthal for Opera wrote: "For dramatic intensity and moments of heart-rending pathos [it] can have few equals?", while Dyneley Hussey enthused in the Musical Times that it was: "A great performance, splendidly recorded. Callas' dramatic power and her ability to shade the beautiful vocal line here find the best imaginable medium". In, for example, the opening phrases of the Act III love duet with Radames her voice has a limpidity which enables her to accomplish miracles of pianissimo shadings, singing dolcissimo as the score directs one of innumerable occasions in which Callas renders the subtlest markings in the score so effectively.

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