Georg Friedrich Händel (1685-1759): Händel-Edition Vol.7 (Warner)
Disk 1 von 6
Saul Hwv 53 (oratorium) (gesamtaufnahme)
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Sinfonia
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Chor: How excellent thy name, o Lord (1. Akt)
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Arie: An infant rais'd by thy command
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Trio: Along the monster atheist strode
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Chor: The youth inspir'd by thee, o Lord - Chor: How excellent thy name, o Lord...Hallelujah
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Rezitativ: He comes, he comes! - Arie: O godlike youth! by all confess'd of human race the pride!
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Rezitativ: Behold, o King, the brave, victorious youth - Arie: O King, your favours with delight I take
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Rezitativ: Oh early piety! oh modest merit!
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Arie: What abject thoughts a prince can have! - Rezitativ: Yet think, on whom this honour you bestow
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Arie: Birth and fortune I despise!
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Rezitativ: Thou, Merab, first in birth, be first in honour - Arie: My soul rejects the thought with scorn
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Arie: See, with what a scornful air she the precious gift receives - Arie: Ah! lovely youth!
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13
Sinfonie pour les Carillons
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Rezitativ: Already see the daughters of the land
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Chor: Welcome, welcome mighty king!...Saul, who hast thy thousands slain, welcome
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Accompagnato: What do I hear? Am I then sunk so low - Chorus: David his ten thousands slew - Accompagnato: To him...
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Rezitativ: Imprudent women! - Arie: Fell rage and black despair possess'd
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18
Rezitativ: Rack'd with infernal pains, ev'n now the king comes forth
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Arie: O Lord, whose mercies numberless o'er all thy works prevail
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Rezitativ: 'Tis all in vain
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Arie: A serpent, in my bosom warm'd, would sting me to the heart - Rezitativ: Has he escap'd my rage?
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22
Arie: Capricious man, in humour lost
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Accompagnato: Oh filial piety! oh sacred friendship! - Arie: No, cruel father, no!
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24
Chor: Preserve him for the glory of thy name, thy people's safety
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25
Chor: Envy! eldest-born of Hell! (2. Akt)
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Rezitativ: Ah, dearest friend, undone by too much virtue! - Arie: But sooner Jordan's stream I swear, back...
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27
Rezitativ: Hast thou obey'd my orders - Arie: Sin not, o King, against the youth
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Arie: As great Jehovah lives, I swear, the youth shall not be slain
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29
Arie: From cities storm'd, and battles won, what glory can accrue?
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Disk 2 von 6
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Rezitativ: Appear, my friend - No more imagine danger
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Arie: Your words, o King, my loyal heart with double ardour fire
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Rezitativ: Yes, he shall wed my daughter
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Rezitativ: A father's will has authoriz'd my love
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Duett: O fairest of ten thousand fair
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Chor: Is there a man, who all his ways directs, his God alone to please?
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Concerto
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Rezitativ: Thy father is as cruel, and as false, as thou art kind and true - Duett: At persecution I can laugh; no...
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Rezitativ: Whom dost thou seek? and who has sent thee hither - Arie: No, no, let the guilty tremble at ev'ry...
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10
Rezitativ: Mean as he was, he is my brother now - Arie: Author of peace, who canst controul ev'ry passion of the soul
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Sinfonia
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12
Accompagnato: The time at lentgh is come
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13
Rezitativ: Where is the son of Jesse?
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Chor: Oh fatal consequence of rage, by reason uncontroll'd
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Accompagnato: Wretch that I am! of my own ruin author - Accompagnato: 'Tis said, here lives a woman (3. Akt)
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Rezitativ: With me, what wouldst thou? - Arie: Infernal spirits, by whose pow'r departed ghosts
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Accompagnato: Why hast thou forc'd me from the realms of peace back to the world of woe?
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18
Sinfonia
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Rezitativ: Whence coms't thou? - Arie: Impious wretch, of race accurst!
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20
Dead march
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21
Chor: Mourn, Israel, mourn
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Rezitativ: Oh let it not in gath be heard - Arie: From this unhappy day no more, ye Gilboan hills
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Chor: Eagles were not so swift as they
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24
Air: In sweetest harmony they liv'd - Solo mit Chor: Oh fatal day! how long the mighty lie
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Rezitativ: Ye men of Judah, weep no more
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26
Chor: Gird on thy sword, thou man of might
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Disk 3 von 6
Das Alexanderfest oder Die Macht der Musik
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Ouvertüre
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Rezitativ: 'Twas at the royal feast, for Persia won by Philip's warlike son (1. Teil)
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Arie: Happy pair! None but the brave deserves the fair - Chor: Happy pair! None but the brave deserves the fair
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Rezitativ: Timotheus, plac'd on high amid the tuneful quire
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Accompagnato: The song began from Jove
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Chor: The list'ning crowd admire the lofty sound
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Arie: With ravish'd ears the monarchs hears
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Rezitativ: The praise of Bacchus then the sweet musician sung
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Arie und Chor: Bacchus, ever fair and young...Bacchus' blessings are a treasure
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Rezitativ: Sooth'd with the sound, the king grew vain
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Accompagnato: He chose a mournful Muse
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Arie: He sung Darius, great and good, by too severe a fate fall'n
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Accompagnato: With downcast looks the joyless victor sate
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Chorus: Behold Darius, great and good, by too severe a fate fall'n
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Rezitativ: The mighty master smil'd to see that love was in the next degree
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Arioso: Softly sweet in Lydian measures soon he sooth'd the soul
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Arie: War, he sung, is toil and trouble
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Chor: The many rend the skies with loud applause
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Arie: The prince, unable top conceal his pain
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Chor (da capo): The many rend the skies with loud applause
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Disk 4 von 6
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Accompagnato und Chor: Now strike the golden lyre again!...Break his bands of sleep asunder...Hark, hark! (2. Teil)
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Air: Revenge, revenge, Timotheus cries
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Accompagnato: Give the vengeance due to the valiant crew
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Arie: The princes applaud with furious joy
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Arie und Chor: Thais led the way, to light him to his prey...The princes applaud with furious joy
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Accompagnato und Chor: Thus, long ago, ere heaving Bellows learned to blow...At last divine Cecilia came...
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Rezitativ: Let old Timotheus yield the prize
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(Solo mit) Chor: Let old Timotheus yield the prize, or both divide the crown
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Ode Zum St. Cäcilien-tag Hwv 76
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Ouvertüre - Rezitativ: From harmony, from heav'nly harmony - Accompagnato: When nature underneath a heap of...
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Chor: From harmony, from heav'nly harmony
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Arie: What passion cannot music raise and quell!
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Solo und Chor: The trumpet's loud clangor excites us to arms
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La marche
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Arie: The soft complaining flute in dying notes
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Arie: Sharp violins proclaim their jealous pangs and desperation
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Arie: But oh! what art can teach...the sacred organ's praise!
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Arie: Orpheus could lead the savage race
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Accompagnato: But bright Cecilia rais'd the wonder high'r
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Chor: As from the pow'r of sacred lays the spheres began to move
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Disk 5 von 6
Utrechter Te Deum Hwv 278
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We praise thee, o God -
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All the earth doth worship thee
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To thee all angels cry aloud
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To thee Cherubim and Seraphim
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The glorious company of the apostles praise thee
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Thou art the king of glory, o Christ
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When thou took'st upon thee to deliver man
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Thou sittest at the right hand of god
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We believe that thou shalt
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Day by day we magnify thee
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And we worship thy name
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Vouchsafe, o Lord
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O Lord, in thee have I trusted
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Apollo E Dafne Hwv 122 (kantate)
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Rezitativ: La terra è liberata
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Arie: Pende il ben dell'universo
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Rezitativ: Ch'il superbetto amore
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Arie: Spezza l'arco e getta l'armi
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Arie: Felicissima quest'alma
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Rezitativ: Che voce! Che beltà!
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Arie: Ardi, adori, e preghi in vano
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Rezitativ: Che crudel! - Ch'importuno
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Duett: Una guerra ho dentro il seno che soffrir più non si può
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Rezitativ: Placati al fin, o cara
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Arie: Come rosa in su la spina presto viene e presto va
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Rezitativ: Ah, ch'un Dio non dovrebbe altro amore sguir ch'oggetti eterni
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Arie: Come in ciel benigna stella
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Rezitativ: Odi la mia ragion - Sorda son io!
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Duett: Deh lascia addolcire quell'aspro rigor
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Rezitativ: Sempre t'adorerò! - Sempre t'aborrirò!
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30
Arie: Mie piante correte; mie braccia stringete l'ingrata beltà
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Arie: Cara pianta, co' miei pianti il tuo verde irrigherò
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Disk 6 von 6
Giulio Cesare Hwv 17 (julius Cäsar, Oper In 3 Akten) (querschnitt)
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Ouvertüre
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Viva, viva il nostro Alcide (1. Akt)
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3
Presti omai l'Egizia terra
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Priva son d'ogni conforto
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Vani sono i lamenti
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Svegliatevi nel core, furie d'un'alma offesa
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Cara speme, questo core tu cominci a lusingar
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Va tacito e nascosto
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Cessa omai di sospirare! (2. Akt)
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Se pietà di me non senti
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Sonfia bellica (3. Akt)
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Da tempeste il legno infranto
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a) Sinfonia - b) Le marche
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Ritorni omai nel nostro core...Un bel contento
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Product Information
Alexander's Feast or The Power of Musick' zeigt Händel auf dem Höhepunkt seines Oratorien-Schaffens, obwohl die Geschichte des Wettstreits des legendären Sängers Timotheus und der Hl. Cäcilie, der Schutzpatronin der sakralen Musik aus Anlass der Eroberung von Persepolis durch Alexander den Großen zwar für Chor, Solisten und Orchester als Folge von Arien, Rezitativen und Chören komponiert ist, jedoch nicht ausdrücklich als Oratorium.
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