Frederic Chopin (1810-1849): Klaviersonate Nr.2 op.35

Detailinformationen

+Schumann: Kinderszenen op. 15;Waldszenen op. 82 Nr. 7;
Carnaval op. 9

  • Künstler: Alfred Cortot, Klavier
  • Label: Naxos, ADD/m, 1948-53
  • Bestellnummer: 9784272
  • Erscheinungstermin: 29.8.2008
  1. 1 Piano Sonata No. 2 in B flat minor, Op. 35, "Funeral March": I. Grave - Doppio movimento Start
  2. 2 Piano Sonata No. 2 in B flat minor, Op. 35, "Funeral March": II. Scherzo Start
  3. 3 Piano Sonata No. 2 In B Flat Minor, Op. 35, "funeral March": Iii. Marche Funebre: Lento Start
  4. 4 Piano Sonata No. 2 in B flat minor, Op. 35, "Funeral March": IV. Finale: Presto Start
  5. 5 Kinderszenen (Scenes of Childhood), Op. 15: No. 1. Von fremden Landern und Menschen (Of Foreign Lands and People) Start
  6. 6 Kinderszenen (Scenes of Childhood), Op. 15: No. 2. Curiose Geschichte (A Strange Story) Start
  7. 7 Kinderszenen (Scenes of Childhood), Op. 15: No. 3. Hasche-Mann (Catch-as-catch-can) Start
  8. 8 Kinderszenen (Scenes of Childhood), Op. 15: No. 4. Bittendes Kind (Pleading Child) Start
  9. 9 Kinderszenen (Scenes of Childhood), Op. 15: No. 5. Gluckes genug (Happy Enough) Start
  10. 10 Kinderszenen (Scenes of Childhood), Op. 15: No. 6. Wichtige Begebenheit (An Important Event) Start
  11. 11 Kinderszenen (Scenes of Childhood), Op. 15: No. 7. Traumerei (Dreaming) Start
  12. 12 Kinderszenen (Scenes of Childhood), Op. 15: No. 8. Am Camin (By the Fire-side) Start
  13. 13 Kinderszenen (Scenes of Childhood), Op. 15: No. 9. Ritter vom Steckenpferd (Knight of the Hobby-horse) Start
  14. 14 Kinderszenen (Scenes of Childhood), Op. 15: No. 10. Fast zu ernst (Almost Too Serious) Start
  15. 15 Kinderszenen (Scenes of Childhood), Op. 15: No. 11. Furchtenmachen (Frightening) Start
  16. 16 Kinderszenen (Scenes of Childhood), Op. 15: No. 12. Kind im Einschlummern (Child Falling Asleep) Start
  17. 17 Kinderszenen (Scenes of Childhood), Op. 15: No. 13. Der Dichter spricht (The Poet Speaks)
  18. 18 Waldscenen, Op. 82: Waldszenen, Op. 82: No. 7. Vogel als Prophet (The Songster-Prophet) Start
  19. 19 Carnaval, Op. 9: No. 1. Preambule Start
  20. 20 Carnaval, Op. 9: No. 2. Pierrot Start
  21. 21 Carnaval, Op. 9: No. 3. Arlequin Start
  22. 22 Carnaval, Op. 9: No. 4. Valse noble Start
  23. 23 Carnaval, Op. 9: No. 5. Eusebius Start
  24. 24 Carnaval, Op. 9: No. 6. Florestan Start
  25. 25 Carnaval, Op. 9: No. 7. Coquette Start
  26. 26 Carnaval, Op. 9: No. 8. Replique
  27. 27 Carnaval, Op. 9: Sphinx 1-3
  28. 28 Carnaval, Op. 9: No. 9. Papillons Start
  29. 29 Carnaval, Op. 9: No. 10. Asch - Scha (Lettres Dansantes) Start
  30. 30 Carnaval, Op. 9: No. 11. Chiarina Start
  31. 31 Carnaval, Op. 9: No. 12. Chopin
  32. 32 Carnaval, Op. 9: No. 13. Estrella
  33. 33 Carnaval, Op. 9: No. 14. Reconnaissance
  34. 34 Carnaval, Op. 9: No. 15. Pantalon et Colombine
  35. 35 Carnaval, Op. 9: No. 16. Valse allemande
  36. 36 Carnaval, Op. 9: No. 17. Intermezzo: Paganini
  37. 37 Carnaval, Op. 9: No. 18. Aveu
  38. 38 Carnaval, Op. 9: No. 19. Promenade
  39. 39 Carnaval, Op. 9: No. 20. Pause
  40. 40 Carnaval, Op. 9: No. 21. Marche des Davidsbundler contre les Philistins

Produktinfo

Alfred Cortot was renowned above all as a pianist whose interpretations, especially of the works of Schumann, Debussy and Chopin, were often on a spiritual level. This 1953 performance of Chopin's Piano Sonata No. 2 is his fifth and final commercial recording of the work (the 1928 recording is available on Naxos 8.111065; the 1927 recording is unissued). Cortot wanted to record the work again partly because he felt his interpretation would be 'an example for the young pianists, who are so little imbued with the Romantic spirit'. His 1953 and third recording of Schumann's Kinderszenen is notable for the familiar singing tone and poetic warmth he brings to Kind im Einschlummern (Child falling asleep) and Der Dichter spricht (The poet speaks). Cortot's interpretation of the youthful romanticism of Carnaval is full of colour and character, far preferable to bland and uninspired subsequent accounts from lesser pianists.

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