Franz Schubert (1797-1828): Messe Es-dur D.950

Detailinformationen

+Stabat Mater D. 175

  • Künstler: Immortal Bach Ensemble, Leipziger Kammerorchester, Morten Schuldt-Jensen
  • Label: Naxos, DDD, 2006
  • Bestellnummer: 4458029
  • Erscheinungstermin: 1.2.2008
  1. 1 Mass No. 6 in E flat major, D. 950: Kyrie Start
  2. 2 Mass No. 6 in E flat major, D. 950: Gloria: Gloria in excelsis Deo Start
  3. 3 Mass No. 6 in E flat major, D. 950: Gloria: Domine Deus Start
  4. 4 Mass No. 6 in E flat major, D. 950: Gloria: Quoniam tu solus sanctus Start
  5. 5 Mass No. 6 in E flat major, D. 950: Gloria: Cum Sancto Spiritu Start
  6. 6 Mass No. 6 in E flat major, D. 950: Credo: Credo in unum Deum Start
  7. 7 Mass No. 6 in E flat major, D. 950: Credo: Et incarnatus est Start
  8. 8 Mass No. 6 in E flat major, D. 950: Credo: Et resurrexit Start
  9. 9 Mass No. 6 in E flat major, D. 950: Sanctus: Sanctus Dominus Start
  10. 10 Mass No. 6 in E flat major, D. 950: Sanctus: Osanna in excelsis Start
  11. 11 Mass No. 6 in E flat major, D. 950: Benedictus: Benedictus qui venit Start
  12. 12 Mass No. 6 in E flat major, D. 950: Benedictus: Osanna in excelsis Start
  13. 13 Mass No. 6 in E flat major, D. 950: Agnus Dei: Agnus Dei, qui tolis peccata mundi Start
  14. 14 Mass No. 6 in E flat major, D. 950: Agnus Dei: Dona nobis pacem Start
  15. 15 Mass No. 6 in E flat major, D. 950: Agnus Dei: Agnus Dei, qui tolis peccata mundi Start
  16. 16 Mass No. 6 in E flat major, D. 950: Agnus Dei: Dona nobis pacem Start
  17. 17 Stabat Mater in G minor, D. 175 Start

Produktinfo

One of a remarkable series of works Schubert wrote in his final year, Mass No. 6 in E flat lay unperformed until a year after his death. With an unusually prominent part for trombones, this is a powerful and disquieting masterpiece, reconciling the liturgical grandeur and monumentality of the vast fugues that end the Gloria and Credo, with the composer's natural lyricism and daring chromatic digressions.

Pressestimmen

FonoForum 12 / 08: "Kein Zweifel, in seiner letzten Messe nahm Schubert - vor allem auch durch entscheidende Eingriffe in den Wortlaut - sehr persönlich Stellung zum Messetext. Entsprechend schlichter und inniger klingt hier die Musik, ohne jeden kirchlich-repräsentativen Beiklang. Dem kommt eine klein besetzte Interpretation zweifellos entgegen."

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