Detailinformationen

+Sonatenfragmente D. 655 & D. 769a

  • Künstler: Gottlieb Wallisch
  • Label: Naxos, DDD, 2005
  • Bestellnummer: 8016414
  • Erscheinungstermin: 3.9.2007
  1. 1 Piano Sonata No. 1 in E major, D. 157: I. Allegro ma non troppo Start
  2. 2 Piano Sonata No. 1 in E major, D. 157: II. Andante Start
  3. 3 Piano Sonata No. 1 In E Major, D. 157: Iii. Menuetto: Allegro Vivace Start
  4. 4 Piano Sonata No. 8 in F sharp minor, D. 571: I. Allegro moderato, D. 571 (fragment) Start
  5. 5 Piano Sonata No. 8 in F sharp minor, D. 571: II. Scherzo: Allegro vivace, D. 570 Start
  6. 6 Piano Sonata No. 8 In F Sharp Minor, D. 571: Iii. Andante, D. 604 Start
  7. 7 Piano Sonata No. 8 in F sharp minor, D. 571: IV. Allegro, D. 570 (incomplete) Start
  8. 8 Piano Sonata in C sharp minor, D. 655 (fragment) Start
  9. 9 Piano Sonata in E minor, D. 769a (D. 994) (fragment) Start
  10. 10 Piano Sonata No. 15 in C major, D. 840, "Reliquie": I. Moderato Start
  11. 11 Piano Sonata No. 15 in C major, D. 840, "Reliquie": II. Andante Start
  12. 12 Piano Sonata No. 15 In C Major, D. 840, "reliquie": Iii. Menuetto: Allegretto (Incomplete) Start
  13. 13 Piano Sonata No. 15 in C major, D. 840, "Reliquie": IV. Rondo: Allegro (incomplete) Start

Produktinfo

Schubert's fragmentary and unfinished piano sonatas come from the period between 1815 and 1823. They are among his most innovative and puzzling works surviving, as it were, as experiments in composition while offering a fascinating insight into the composer's creative process. This disc starts with Schubert's very first sonata, continues with three fragments of sonatas remaining from his middle period, and ends with his last sonata fragment, an outstanding and progressive work that looks forward to the expressive world of Beethoven and Bruckner. Gottlieb Wallisch's first recording of Schubert fragmentary Sonatas is available on Naxos 8.557189.

Pressestimmen

FonoForum 07 / 08: "Als Meister kontrollierter Pianissimi zeigt er sich im barkarolenhaft wiegenden, vor der Reprise abbrechenden fis-Moll-Satz D 571, der vor melodischen Ideen überzuquellen scheint. Im großen Torso der so genannten "Reliquie" scheitert Wallisch allerdings dort, wo eigentlich alle ratlos sind, bei den ungelenk nachschlagenden Oktaven des sich orchestral aufblähenden Haupt themas. Doch schon beim zarten Tanz-Seitenthema ist man mit dem Komponisten und seinem Interpreten versöhnt."

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