Franz Danzi (1763-1826): Bläserquintette op.56 Nr.1-3,op.67 Nr.1-3,op.68 Nr.1-3

Detailinformationen

+Quintette für Klavier & Bläser opp. 41, 53, 54

  • Künstler: Love Derwinger, Philharmonisches Bläserquintett Berlin
  • Label: BIS, DDD, 1991/1992
  • Bestellnummer: 1345361
  • Erscheinungstermin: 18.9.2006

Disk 1 von 3

  1. 1 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott B-Dur op. 56 Nr. 1 Start
  2. 2 1. Allegretto Start
  3. 3 2. Andante con moto Start
  4. 4 3. Menuetto: Allegretto Start
  5. 5 4. Allegretto Start
  6. 6 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott g-moll op. 56 Nr. 2 Start
  7. 7 1. Allegretto Start
  8. 8 2. Andante Start
  9. 9 3. Menuetto: Allegretto Start
  10. 10 4. Allegretto Start
  11. 11 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott F-Dur op. 56 Nr. 3 Start
  12. 12 1. Andante sostenuto - Allegro Start
  13. 13 2. Andante Start
  14. 14 3. Menuetto: Allegretto Start
  15. 15 4. Allegretto Start
  16. 16 Quintett für Klavier, Oboe, Klarinette, Horn und Fagott d-moll op. 41 Start
  17. 17 1. Larghetto - Allegro Start
  18. 18 2. Andante sostenuto Start
  19. 19 3. Allegretto Start

Disk 2 von 3

  1. 1 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott G-Dur op. 67 Nr. 1 Start
  2. 2 1. Allegretto Start
  3. 3 2. Andante con moto Start
  4. 4 3. Minuetto: Allegretto Start
  5. 5 4. Allegretto moderato Start
  6. 6 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott e-moll op. 67 Nr. 2 Start
  7. 7 1. Allegro vivo Start
  8. 8 2. Larghetto Start
  9. 9 3. Minuetto: Allegretto Start
  10. 10 4. Allegretto Start
  11. 11 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott Es-Dur op. 67 Nr. 3 Start
  12. 12 1. Larghetto - Allegro moderato Start
  13. 13 2. Andante moderato Start
  14. 14 3. Minuetto: Allegro Start
  15. 15 4. Allegretto Start
  16. 16 Quintett für Klavier, Oboe, Klarinette, Flöte und Fagott F-Dur op. 53 Start
  17. 17 1. Allegro Start
  18. 18 2. Andante Start
  19. 19 3. Polacca Start

Disk 3 von 3

  1. 1 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott A-Dur op. 68 Nr. 1 Start
  2. 2 1. Allegro moderato Start
  3. 3 2. Larghetto Start
  4. 4 3. Minuetto - Trio: Allegretto Start
  5. 5 4. Polacca Start
  6. 6 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott F-Dur op. 68 Nr. 2 Start
  7. 7 1. Allegro Start
  8. 8 2. Andante quasi allegretto Start
  9. 9 3. Minuetto - Trio: Allegretto Start
  10. 10 4. Allegretto Start
  11. 11 Quintett für Flöte, Oboe, Klarinette, Horn und Fagott d-moll op. 68 Nr. 3 Start
  12. 12 1. Andante sostenuto - Allegretto Start
  13. 13 2. Andante Start
  14. 14 3. Minuetto - Trio: Allegretto Start
  15. 15 4. Allegro assai Start
  16. 16 Quintett für Klavier, Oboe, Klarinette, Flöte und Fagott D-Dur op. 54 Start
  17. 17 1. Larghetto - Allegretto Start
  18. 18 2. Andante con moto Start
  19. 19 3. Allegro brilliante Start

Produktinfo

Anton Rejcha and the slightly younger Franz Danzi (1763-1826).
Between them they provided this new combination with a large repertoire (Rejcha alone composed no less than 24 quintets) and set the mould for composers to come. Thereby they also came to contribute significantly to the development of a new type of wind playing without which the classical / romantic symphony orchestra sound would be unimaginable. Danzi trained as a cellist and composer – by his contemporaries he was held in high regard for his successful operas, instrumental concertos and sacred works – but it was probably his experiences as a conductor, chiefly at the Karlsruhe court theatre, which formed the basis of his fine understanding of wind instruments and of ensemble playing. This was recognised at the original release of these discs, when the Gramophone's reviewer wrote that the music 'has great charm and polish, enhanced by the persuasive craftsmanship of its scoring.' But even more than the music – described in Fanfare as pieces which 'could turn Mozart-lovers into lovers of Mozart-loving Danzi' – it was the performances by the Berlin Philharmonic Wind Quintet and (in the three piano quintets) Love Derwinger that moved the reviewers to use superlatives. The French magazine Repértoire claimed that the interpretations were 'luminous: alternately flowing and spirited, dreamy and boisterous; of an exhilarating virtuosity, tinged with poetry and in full gala dress.' Here, then, is a great opportunity to discover the birth of a genre in the best possible company!

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