Englische Renaissance- und Barockmusik
Disk 1 von 10
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1
Prelude in G major
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2
Ground in G
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3
Lessons in d
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4
Lessons in a
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5
Lessons in g
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6
Chaconne in F
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7
Suite in C minor
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8
Suite for 'The Indian Queen'
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9
Suite in A
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Disk 2 von 10
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1
3 tunes new to John Playford's Dancing Master
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2
Why so pale / Bid me to live / 2 tunes new to John Playford's Dancing Master
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3
Passages in Imitation of the Trumpet, Ayres and Pieces IV / 5 marches and tunes from John Playford's new tunes / After N
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4
Fantazie / Suite in a
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5
Court Masques under Charles I and Charles II, 1640-1665
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6
Toccata in A major, ZD 229 / The Plaint, a Ground in a
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7
The black Joak, as 'tis perform'd at Dublin, upon a silent Ground in D
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8
Ground in D minor, ZD 222
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Disk 3 von 10
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1
Barafostus' Dreame
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2
The King's Hunt
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3
Pavan & Galliard of Mr. Petre
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4
Fantasia in D (No. 6)
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5
Pavan in G (No. 16)
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6
Walsingham Variations
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7
Fantasia in D (No. 3)
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8
Maske in G
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9
Fantasia in d
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10
English Toy
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11
Fantasia in D
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Disk 4 von 10
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1
Capriccio Stravagante: Prelude & Symphony
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2
Capriccio Stravagante: If music be the food of love
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3
Capriccio Stravagante: Hark! The echoing air
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4
Capriccio Stravagante: Three parts upon a ground
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5
Capriccio Stravagante: 'Tis Nature's voice
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6
Capriccio Stravagante: Round-O
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7
Capriccio Stravagante: Overture in G minor
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8
Capriccio Stravagante: A Divine Hymn: Lord, what is Man
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9
Capriccio Stravagante: Chacony
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10
Capriccio Stravagante: Music for a while
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11
Capriccio Stravagante: Lovely Albina's come ashore
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12
Capriccio Stravagante: Fantazia 5
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13
Capriccio Stravagante: Ground & Two in one upon a ground
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14
Capriccio Stravagante: Thrice happy lovers
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15
Capriccio Stravagante: Pavan in B flat
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16
Capriccio Stravagante: An Evening Hymn
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Disk 5 von 10
Venus and Adonis
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1
Prologue : Overture
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2
Cupid's Entry
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3
Behold my arrows and my bow (Cupid)
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4
Come shepherd's all, let's sing and play (Cupid, Choir)
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5
Cupid's Entry (da capo)
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6
Act I : Introduction
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7
Venus... - Adonis... / Come follow to the noblest game
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8
Entry - a dance by a huntsman
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9
Act II : Introduction
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10
You place with such delicate care / The insolent, the arrogant
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11
Dance of the Cupids
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12
Call the Graces! / Mortals below, Cupids above
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13
Dance of the Graces
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14
Gavotte
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15
Saraband for the Graces
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16
A Ground
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17
Act Iii : Introduction
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18
Adonis, Adonis
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19
With solemn pomp let mourning Cupids bear
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Cupid and Death - A Masque in Five Entries
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20
First Entry: Cupid : Curtain Music
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21
Are all things in their preparation?
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22
Entrance of Cupid and his Train of Folly and Madness
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23
Song (Soprano): 'Though little be the God of love'/Chorus: 'Thus Love can fiery spirits tame'
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24
Second Entry: Death : Suite of Dances
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Disk 6 von 10
Cupid and Death - A Masque in Five Entries
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1
Second Entry: Death : Death's Entrance Dance
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2
Holla, within
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3
Suite of Dances
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4
Song (Soprano): 'Victorious men of Earth' - Chorus: 'He hath at will'
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5
Third Entry: The Exchange of Arrows : Suite of Dances
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6
Ho master
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7
Song (Soprano): 'Stay, Cupid, wither art thou flying?' - Chorus: 'O let the weeping virgins strow'
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8
Fourth Entry: Distraught Nature : Suite of Dances
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9
Nature's Entrance and Aria: 'Fly, fly my children'
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10
Old Men and Women Dance
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11
Song (Bass): 'What will it, Death, advance thy name' - Chorus: 'O Love! O Death!'
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12
Soldier's Dance (The Hector's Dance)
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13
Nature's Song: 'Change, o change your fatal bows' - Chorus: 'Take pity, gods!'
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14
Fifth Entry: Mercury Descends : Suite of Dances
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15
Chamberlain's and Apes' Entrance and Aria: 'O yes ...'
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16
Apes and Satyr Dance
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17
A Symphony for Mercury's Entrance
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18
Mercury's Aria: 'Hence ye profane'
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19
Cupid, Mercury, Death, Nature: 'I am here. What send the gods by Mercury?
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20
Music for Elysium Nature, Mercury: 'Where am I?'
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21
Song (Soprano, Bass): 'Open bless'd Elysian grove' - Chorus: 'If this place be not heaven' - Nature, Mercury: 'O who sha
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22
The Grand Dance
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23
Mercury's Aria: 'Return, return you happy men'
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24
Chorus: 'Like a perfurming gale o' er flowers'
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Disk 7 von 10
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1
Joyne Hands
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2
Now, o now I needs must part
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3
O let me live, o let me die
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4
Sola, soletta
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5
If that a sinners sighes
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6
Almighty God
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7
My Lord Willoughby's Welcome Home
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8
Pro Cantione Antiqua London: The three ravens (Partsong)
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9
Pro Cantione Antiqua London: Gather your rosebuds (Partsong)
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10
Pro Cantione Antiqua London: See how in gathering (Catch)
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11
Pro Cantione Antiqua London: Though I am young (Partsong)
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Oedipus, Z. 593
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12
Hear ye sullen powers - Music for a while - come away, do not stay
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13
Lost is my quiet forever, Z. 502
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The Tempest or The Enchanted Isle, Z. 631
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14
Arise, ye subterranean winds
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15
Tis wine was made to rule the day, Z. 546
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Disk 8 von 10
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1
Deller Consort: It was a lover and his lass - from 'As you like it', V,3
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2
Deller Consort: Take, oh take those lips away - from 'Measure for Measure', IV,1
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3
Deller Consort: O Mistress Mine - from 'Twelfth Night, or What You Will' II, 3
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4
Deller Consort: Strike it up Tabor
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5
Deller Consort: Willow Song - from 'Othello' IV, 3
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6
Deller Consort: Where the Bee Sucks - from 'The Tempest' V,1
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7
Deller Consort: How Should I Your True Love Know? - from 'Hamlet' IV, 5
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8
Deller Consort: Walsingham Variations
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9
Deller Consort: We Be Soldiers Three
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10
Deller Consort: When Griping Griefs - from 'Romeo and Juliet' IV, 5
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11
Deller Consort: Full Fathom Five - from 'The Tempest' I, 2
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12
Deller Consort: Caleno custure me - from 'Henry V' IV, 4
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13
Deller Consort: Then they for sudden joy did weep - from 'King Lear' I
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14
Deller Consort: Bonny Sweet Robin
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15
Deller Consort: When That I Was - from 'Twelfth Night' V, 1
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16
Deller Consort: Kemp's Jig
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17
Deller Consort: Greensleeves
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18
Deller Consort: He That Will an Alehouse Keep
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19
Deller Consort: Non nobis domine
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20
Deller Consort: Hark, all ye
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21
Deller Consort: Sweet Phillida
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22
Deller Consort: The sheep shearing
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23
Deller Consort: The sailor and the young
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24
Deller Consort: O, waly waly
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Disk 9 von 10
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1
A Fancy
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2
My Lady Hunsdon's Puffe
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3
Alman
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4
Frogg Galliard
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5
Scott's Lament
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6
Pavana Lachrimae
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7
Suzanna Galliard
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8
Rowland
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9
Can Shee Excuse
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10
Robin
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11
Praeludium to ye Fancie
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12
Fantasia
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13
Coranto
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14
A Gigg
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15
Tarleton's Jigge
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16
Mrs. Winter's Jumpp
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17
Tarleton's Riserrectione
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18
Cormack
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19
Allmane
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20
Cormack's Alman
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21
Shock.a.torum
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22
The Queen's Masque
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23
Fine Knacks
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24
Awake Sweet Love, Thou Art Returnd
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25
Go Christall Teares
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26
My Thoughts are Winged With Hopes
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27
Semper Dowland, semper dolens
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28
Farewell
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29
My Dear Adieu, My Sweet Love Farewell
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Disk 10 von 10
Graduale Sarisburiense (15th Century)
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1
Kyrie: Orbis factor (cum versibus)
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Missa sine nomine 'The Mean Mass' (for 5 voices)
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2
Gloria
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3
Credo
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4
Sanctus et Benedictus
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5
Agnus Dei
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6
Pro Cantione Antiqua London: Lamentationes (for 5 voices)
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Playnsong Mass for a Meane (for 4 voices)
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7
Kyrie
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8
Gloria
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9
Credo
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10
Sanctus et Benedictus
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11
Agnus Dei
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Product Information
CD 1 Blow, Croft, Purcell: English music of the 17th century for harpischord - Bradford Tracey
CD 2 Locke, Purcell, Lawes: Delight in Disorder - Andreas Staier, Pedro Memelsdorff
CD 3 Henry Purcell: Vocal Works - Pro Cantione Antiqua, Collegium Aureum
CD 4 Henry Purcell: Airs & Instrumental Music - Capriccio Stravagante, Skip Sempé
CD 5 & 6 Blow, Gibbons, Locke: Gibbons, Locke: Music of Cupid & Death / Blow: Venus & Adonis - Consort
of Musicke, Anthony Rooley
CD 7 Purcell, Ravenscroft, Dowland, Morley, Tomkins, Ford, Lawes, Laniere: Musica Britannica - Deller
Consort, Morley Consort, Pro Cantione Antiqua
CD 8 Morley, Wilson, Cutting, Johnson, Weelkes: Shakespeare Songs & Consort Music - Deller Consort
CD 9 Dowland, Byrd, MacDermott, Le Flelle: His Majesty's Harper - Andrew Lawrence-King
CD 10 Taverner, Parsley, Sheppard: Musik der Tudor-Zeit - Pro Cantione Antiqua
Press comments
FonoForum 3 / 1992: "Im Spiel des bedauerlich früh
verstorbenen Cembalisten Bradford Tracey gefallen vor
allem die ausgezeichnete Rhythmisierung und die prägnante
harmonische estaltung."
FonoForum 5 / 1995: "Sprechend und ursprünglich, so als
wären ihnen die Töne gerade in den Kopf gekommen, klingen
diese Musik-Mosaike. Man empfindet es als sinnfällig, daß
es in ihnen innerhalb weniger Sekunden packend virtuos
und dann elegisch zugehen kann." (Delight)
stereoplay 5 / 1999: "Stets und auch in den flotten
Tanzsätzen trifft Lawrence-King die eigentümliche
emotionale Färbung, wie sie englische Musik zwischen
Renaissance und Frühbarock auszeichnet."
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