Detailinformationen

Toccata BuxWV 165; Suiten BuxWV 226 & 233; Fuge BuxWV 176;
Fuge BuxWV 176; Arie BuxWV 249; Canzona BuxWV 166; Partita
BuxWV 179 "Auf meinen lieben Gott"; Canzonetta BuxWV 225

  • Künstler: Lars Ulrik Mortensen, Cembalo
  • Label: Naxos, DDD, 1998
  • Bestellnummer: 6343518
  • Erscheinungstermin: 29.2.2008
  1. 1 Toccata in G major, BuxWV 165 Start
  2. 2 Wie schon leuchtet der Morgenstern, BuxWV 223 Start
  3. 3 Suite in D minor, BuxWV 233, "D'amour": I. Allemande d'Amour Start
  4. 4 Suite in D minor, BuxWV 233, "D'amour": II. Courante Start
  5. 5 Suite In D Minor, Buxwv 233, "d'amour": Iii. Sarabande D'amour - Sarabande Start
  6. 6 Suite in D minor, BuxWV 233, "D'amour": IV. Gigue Start
  7. 7 Fugue in B flat major, BuxWV 176 Start
  8. 8 Suite in C major, BuxWV 226: I. Allemande Start
  9. 9 Suite in C major, BuxWV 226: II. Courante Start
  10. 10 Suite In C Major, Buxwv 226: Iii. Sarabande [i] - Sarabande Ii Start
  11. 11 Suite in C major, BuxWV 226: IV. Gigue Start
  12. 12 Aria with 3 variations in A minor, BuxWV 249: Variatio I Start
  13. 13 Aria with 3 variations in A minor, BuxWV 249: Variatio II Start
  14. 14 Aria With 3 Variations In A Minor, Buxwv 249: Variatio Iii Start
  15. 15 Canzona in C major, BuxWV 166 Start
  16. 16 Auf meinen lieben Gott, BuxWV 179: I. [Allemande] - Double Start
  17. 17 Auf meinen lieben Gott, BuxWV 179: II. Courante Start
  18. 18 Auf Meinen Lieben Gott, Buxwv 179: Iii. Sarabande Start
  19. 19 Auf meinen lieben Gott, BuxWV 179: IV. Gigue Start
  20. 20 Canzonetta in A minor, BuxWV 225 Start

Produktinfo

Having been born half a century after Heinrich Schütz, the 'father of German musicians', and a little less than half a century before J. S. Bach, Dietrich Buxtehude was a living link between the founder of Protestant Baroque music and its greatest master. While Buxtehude's organ music is comparatively well known, his harpsichord music has not yet found the reputation it deserves. This first volume of the series covers the full range of Buxtehude's compositional styles for the keyboard, from the brilliant and virtuosic opening Toccata in G major, to the more subtle and melodic Suites in C major and D minor in the French style, and finishing with the flamboyant and highly virtuosic Canzonetta in A minor.

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