Claude Debussy (1862-1918): Lieder Vol.2

Detailinformationen

Fetes Galantes (Series 1);Proses Lyriques;
Chansons de Bilitis;Ariettes Oubliees;
3 Chansons de France;3 Poemes de Mallarme

  • Künstler: Lorna Anderson, Lisa Milne, Malcolm Martineau
  • Label: Hyperion, DDD, 2011
  • Bestellnummer: 2351436
  • Erscheinungstermin: 20.4.2012
  1. 1 Fêtes galantes I (1892) (Zyklus v. 3 Ged. v. Verlaine) Start
  2. 2 Nr. 1 En Sourdine Start
  3. 3 Nr. 2 Fantoches Start
  4. 4 Nr. 3 Clair de Lune Start
  5. 5 Les Proses lyriques (4 Lieder nach eig. Texten) Start
  6. 6 Nr. 1 De reve Start
  7. 7 Nr. 2 De greve Start
  8. 8 Nr. 3 De fleurs Start
  9. 9 Nr. 4 De soir Start
  10. 10 Chansons de Bilitis I Nr. 1-3 (1897 / 98) (Lieder (P. Louys) für Singstimme (Flöte) und Klavier) Start
  11. 11 Nr. 1 La flute de Pan Start
  12. 12 Nr. 2 La chevelure Start
  13. 13 Nr. 3 Le tombeau des Naïades Start
  14. 14 Ariettes oubliées Nr. 1-6 (1887 / 88) (Verlaine) Start
  15. 15 Nr. 1 C'est l'extase langoureuse Start
  16. 16 Nr. 2 Il pleure dans mon coeur Start
  17. 17 Nr. 3 L'ombre des arbres dans la rivière Start
  18. 18 Nr. 4 Paysages beiges - Chevaux de bois Start
  19. 19 Nr. 5 Aquarelles I Green Start
  20. 20 Nr. 6 Aquarelles II Spleen Poem Start
  21. 21 Chansons de France Nr. 1-3 L 102 (1904) Start
  22. 22 Nr. 1 Rondel I: Le temps a laissié son manteau Start
  23. 23 Nr. 2 La grotte Start
  24. 24 Nr. 3 Rondel II: Pour ce que plaisance est morte Start
  25. 25 Poèmes de Stephane Mallarmé L 127 (Trois Poèmes) Start
  26. 26 Nr. 1 Soupir Start
  27. 27 Nr. 2 Placet futile Start
  28. 28 Nr. 3 Eventail Start

Produktinfo

Two of Britain’s leading exponents of French song, the acclaimed sopranos Lorna Anderson and Lisa Milne, join Malcolm Martineau for the second volume of Hyperion’s overview of Debussy’s haunting, mercurial songs. The French composer’s output in this genre extended throughout his life and he was always inspired by poetry—from his first adolescent attempts to set Paul Verlaine’s Fêtes galantes (which he later revised) to the Trois Poèmes de Mallarmé, written five years before his death. All inhabit a universe of shifting colours and impressions, from the sensual, perfumed ‘flutes and flesh’ of the Chansons de Bilitis to the Proses lyriques, which foreshadow the dreamlike atmosphere of Pelléas et Mélisande.

(hyperion-records. co. uk)

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