• Classics Explained:Schubert/Forellenquintett
  • 2 CDs i **;

Detailinformationen

Eine Werkeinführung in englischer Sprache
mit einem 120-seitigen Booklet.
Autor & Sprecher: Jeremy Siepmann

  • Künstler: Jando, Toth, Kodaly Quartett
  • Label: Naxos, DDD, 01
  • Bestellnummer: 6207701
  • Erscheinungstermin: 14.10.2002

Disk 1 von 2

  1. 1 Introduction, origins Start
  2. 2 Imagery, analogy and the shape of the things to come; the opening flourish Start
  3. 3 The unusual presence of the double-bass Start
  4. 4 A palette of tone colours and the emergence of a theme Start
  5. 5 Trouble getting off the ground, but the key is not in doubt Start
  6. 6 Jumping the quene: Schubert takes a lesson from Mozart Start
  7. 7 Mozart demonstrates a traditional transition Start
  8. 8 Destination clarified Start
  9. 9 Mozart confirms our arrival Start
  10. 10 A Schubertian shocker from a later work Start
  11. 11 Rejoining the "Trout", with a reminder Start
  12. 12 The piano joins the strings with yet a third variant of the theme Start
  13. 13 A rhythmic motto: the "triplet motif" Start
  14. 14 We get it here Start
  15. 15 We get it there Start
  16. 16 We find it everywhere, even in the double-bass Start
  17. 17 The strings' answer to the piano's opening flourish Start
  18. 18 The two-part structure of the 'answering motif'... Start
  19. 19 ...but scarcely ever the same way twice Start
  20. 20 The piano and strings now share the material for the first time Start
  21. 21 Conversation as the first principle of chamber music Start
  22. 22 Opening (introductory) section heard complete Start
  23. 23 The violin and double-bass in partnership Start
  24. 24 The violin and piano swap roles Start
  25. 25 Transition to second main theme; triplets now everywhere Start
  26. 26 On the threshold of the new theme Start
  27. 27 Second main theme (a 'love duet'), shared by cello and viola Start
  28. 28 The abandonment of octaves in the piano changes the tone colour Start
  29. 29 A surprising change of tone and a premonition Start
  30. 30 A return to lyricism, but the cello jumps the gun Start
  31. 31 A buoyant, skipping new theme is given to the solo piano Start
  32. 32 Re-entry of the strings as the violin takes up the new theme Start
  33. 33 A transitional theme, and another Schubertian key-jump Start
  34. 34 We sense the imminent arrival of the closing theme Start
  35. 35 A sudden, hushed key-change introduces part two of the closing theme Start
  36. 36 The exposition comes to an end Start
  37. 37 Cue to complete exposition Start
  38. 38 Expositon complete Start
  39. 39 Introduction to the development; the genetic code of "key" Start
  40. 40 The contrasting aural properties of piano and violin Start
  41. 41 The ponderous double-bass is featured in the first main theme Start
  42. 42 The strings are liberated from servitude, but are a long way from home Start
  43. 43 A joyful conversation and a change of pace in the piano Start
  44. 44 The piano takes the melodic lead again Start
  45. 45 A conversation between violin and piano leads to the exposition... Start
  46. 46 ...but Schubert gets it "wrong" Start
  47. 47 First movement (complete) Start
  48. 48 Introduction to second movement Start
  49. 49 The violin now takes theme one Start
  50. 50 The piano regains the theme Start
  51. 51 The violin and piano round off first section with the new "closing" theme Start
  52. 52 A major change of tone: a passing cloud and a dark new key Start
  53. 53 The piano abandons its octaves, but not its triplets, in the new "Hungarian" theme Start
  54. 54 The sun returns with a new theme, in two contrasting parts Start
  55. 55 An evaporating dialogue between violin and piano Start
  56. 56 A major mood change as twilight falls Start
  57. 57 Cue to whole movement Start
  58. 58 Second movement (complete) Start

Disk 2 von 2

  1. 1 Introduction to the Scherzo - and a clear four-bar phrase...
  2. 2 ..."answered" by two two-bar phrases
  3. 3 A disconcerting "echo"
  4. 4 Expectation, frustration and surprise
  5. 5 The phrase length expands from nine to fourteen bars
  6. 6 The beginning of the second half...
  7. 7 ...or should it go from G minor to D major?
  8. 8 Doubts are sown as the tonality becomes elusive
  9. 9 A varied reprise of part one, and the end of the Scherzo proper
  10. 10 A conversational start to the Trio section
  11. 11 Another Schubertian phrase extension
  12. 12 Two overlapping phrases add up to a single theme
  13. 13 The piano adds a third phrase to the overlap
  14. 14 The overlaps continue as the key drifts downwards
  15. 15 Another Schubertian key-jump, now to B flat
  16. 16 A dramatic transformaton of mood
  17. 17 Awakening from a dream: the main theme's return
  18. 18 Cue to complete Scherzo
  19. 19 Third movement (complete)
  20. 20 Enter the trout, at last; a meeting with the original
  21. 21 Back to the Quintet: the strings, headed by the violin, introduce the theme
  22. 22 The first variation
  23. 23 The second variation
  24. 24 The third variation
  25. 25 The fourth variation, part one
  26. 26 The fourth variation, part two
  27. 27 The fifth variation
  28. 28 The final variation, part one: violin and piano alone introduce the theme
  29. 29 The final variation, part two: the cello takes the tune
  30. 30 The final variation, part three: piano and violin return as a duo...
  31. 31 The final variation, part four:...as do the viola and cello
  32. 32 The final variation, part five: the entire ensemble is reunited
  33. 33 Fourth movement (complete)
  34. 34 Introduction to the Finale: Schubert as wizard of repetition
  35. 35 Easily overlooked: the accompaniment from cello and double-bass
  36. 36 Contrasts of timbre and register
  37. 37 A repetition, and yet not a repetition
  38. 38 A journey begun: the phenomenon of musical gravity
  39. 39 The journey completed
  40. 40 The source of musical gravity
  41. 41 The Pianists (Excerpt)
  42. 42 A scale of shifting tensions
  43. 43 Finale (Excerpt)
  44. 44 Back to Schubert
  45. 45 The piano embellishes a scalewise descent
  46. 46 A retrospective moment
  47. 47 Repetition more apparent than real
  48. 48 A taste of phrase rhythm
  49. 49 Shifting patterns of accentuation
  50. 50 The section reviewed
  51. 51 An increasingly sophisticated texture as parts interact
  52. 52 More phrase rhythm
  53. 53 A repetition from the strings...
  54. 54 ....and an answer from the piano
  55. 55 In transition to the secondary key
  56. 56 The orgin of the second theme
  57. 57 The second main theme
  58. 58 The closing section begins, with a question answered
  59. 59 The question repeated, a slightly different answer
  60. 60 First theme of closing section reviewed
  61. 61 Remembrance of things past
  62. 62 The piano and strings argue over the harmony
  63. 63 Emergence of the final theme
  64. 64 An unexpected thunderstorm
  65. 65 The sound of silence
  66. 66 Cue to complete Finale
  67. 67 Finale (complete)

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