• Classics Explained:Ravel,Bolero/Ma Mere l'oye
  • 2 CDs i **;

Detailinformationen

Eine Werkeinführung in englischer Sprache
mit einem 98-seitigen Booklet.
Autor & Sprecher: Jeremy Siepmann

  • Künstler: RSO Bratislava, Jean
  • Label: Naxos, DDD, 88
  • Bestellnummer: 3665534
  • Erscheinungstermin: 30.4.2001

Disk 1 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Bolero-Introduction; Cue To Unadorned Bolero Rhythm, Part 1 Start
  2. 2 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Bolero Rhythm, Part 2: An Extended Variation Of Part 1 Start
  3. 3 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ' Motto ' Rhythm Complete Start
  4. 4 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: But Here We Have Snare Drums And Plucked Violas And Cellos Start
  5. 5 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 1: Introduction Of ' The Theme ' By Solo Flute Start
  6. 6 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Flute Continues With Part 2 Of Theme Start
  7. 7 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 2: Complete Statement Of Theme By Clarinet As Flute Joins Start
  8. 8 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Introduction Of ' Discordant ' Harp Into The Unfolding Picture Start
  9. 9 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 3: Bassoon Introduces Closely Related Variant Of Theme Start
  10. 10 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ...But Then Veers Upwards, Slowing Rhythm And Introducing New Sync Start
  11. 11 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 4: ' Petite ' E Flat Clainet Takes Over Theme, Including V Start
  12. 12 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 5: Oboe D'amore Takes Over Theme But Returns To Its Origin Start
  13. 13 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 6: Theme Now Shared By Two Instruments: Uted Trumpet And F Start
  14. 14 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn In Start
  15. 15 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 8: Theme Taken By Soprano Saxphone, ' Espressivo ' Start
  16. 16 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 9: Theme: Celeste, Piccolos And Horn; Motto: Flute And Fre Start
  17. 17 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 10: Theme: Oboes, Horns, Clarinets; Motto: Plucked Violas Start
  18. 18 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 11: Theme Taken By First Trombone, Complete With Jazzy Sli Start
  19. 19 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 12: Theme: Flutes, Oboes, Clarinets, Sax; Motto: Bassoons, Start
  20. 20 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 13: Violins At Last Take The Main Tune, Joining Massed Win Start
  21. 21 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 14: Violins Divide Into Four Groups, Each ' Double-Stoppin Start
  22. 22 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 15: Trumpet, Trombone 2 And Tuba Join The Foreground Start
  23. 23 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 16: First Trombone And Soprano Saxophone ' Rejoin ' Theme Start
  24. 24 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 17: Fortissimo; All Strings ' Double-Stopping '; Trumpets Start
  25. 25 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 18: Entire Orchestra Now Employed, ' As Loudly As Possible Start
  26. 26 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 19: Sudden, Amazing Change Of Key, Lurching From C To E Ma Start
  27. 27 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Section 20: Key Now Lurches Back To C, As Jazzy Trombones Whiningl Start
  28. 28 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Cue To Complete Performance Start
  29. 29 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Bolero (Complete) Start

Disk 2 von 2

  1. 1 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Pavane De La Belle Au Bois Dormant-Opening Figure On Flute; Rising Start
  2. 2 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Same Again, With Emphasis On Delicacy Of Scoring Start
  3. 3 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Answering Variant, Accompanied By Plucked Double Basses Start
  4. 4 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Reminder Of Opening Figure Start
  5. 5 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ... And Now Its Rhythmical Mirror Image, Or Almost... Start
  6. 6 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Answering Phrase 2: A Near-Inversion, Over ' James Bond ' Accompan Start
  7. 7 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Pivotal Phrase 3, Reversing Direction But Keeping Rhythm Of Phrase Start
  8. 8 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Reprise Of Phrases 1 And 2, But With New Accompaniment Start
  9. 9 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Further Reprise Of Phrase 2, Now On Violin, Accompanied By Harp Start
  10. 10 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Pavane (Complete) Start
  11. 11 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Petit Poucet (Tom Thumb)-Introduction; Opening, With Multi-Metre R Start
  12. 12 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Change Of Metre Continue As Solo Oboe Introduces Theme One Start
  13. 13 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Oboe Yields To Cor Anglais For Theme Two, Against Lower (Still Mut Start
  14. 14 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Theme One Returns, Shared By Clarinet And Flute, Muted Horn Added Start
  15. 15 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: 'motto' Rhythm Dominates As Intensity Increases From Lower Strings Start
  16. 16 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Fear Subsides As Theme Two Returns, Again In Cor Anglais But Now I Start
  17. 17 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Sensational Sound Effects Evoke A Wood At Night, With Screeches, C Start
  18. 18 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Texture Thins; Theme One Returns, Delicately Scored For Strings An Start
  19. 19 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Main Part Of Movement Ends, With Waltz-Like March(!), Featurin Start
  20. 20 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Petit Poucet (Complete) Start
  21. 21 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Laideronnette, Imperatrice Des Pagodes-Introduction; Opening Bars, Start
  22. 22 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Oriental-Orchestral Equivalent Of An Imprial Telephone Bell Start
  23. 23 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ... Oboe ' Answers ' With A Very Slightly Varied Version Of Theme Start
  24. 24 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Expanded Derivative Of The ' Telephone Bell ' Interrupts The Theme Start
  25. 25 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Fragments Of Theme In Flutes And Cor Anglais, With ' James Bond ' Start
  26. 26 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: 'gamelan ' Music From Flute And Piccolo, Accompanied By Harp, Xylo Start
  27. 27 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Arrival Of Empress; Upper Strings Yield To Winds, Celeste, Harp An Start
  28. 28 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Laideronnette, Imperatrice Des Pagodes (Complete) Start
  29. 29 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Les Entretiens De La Belle Et De La Bete- Opening Start
  30. 30 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Characteristic Pattern Of Two Short Phrases Answered By A Long One Start
  31. 31 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Clarinet, Flutes And Violas, With ' Sighing' Figure Derived From D Start
  32. 32 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Varied Reprise Of Opening, Entry Of The ' Beast '; ' Watch It ! Wa Start
  33. 33 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Again The ' Beast ' Growls; Again The Cautious Warning ' Watch It
  34. 34 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Derivative Of Beauty's Theme From Flute, Combined With ' Caution M
  35. 35 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ' Beast's Theme ' Rises In Pitch With Each Successive ' Gowl ' (Re
  36. 36 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ' Beauty ', ' Beast ' And ' Caution ' Motifs All Combine Simultane
  37. 37 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: ' Beast ' (Contra-Bassoon) Climbs Ever Higher, Handing Over To Bas
  38. 38 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Harp's Upward Glide Heralds The Moment Of Transformation; Love Son
  39. 39 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Les Entretiens De La Belle Et De La Bete (Complete)
  40. 40 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Le Jardin Feerique-Introduction; Opening Bars Are Unfuuuuuuuuurled
  41. 41 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Rhythmic Basis, And Its Guises. First, A Question: ' Where Wen
  42. 42 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Question Intensified:' Oh Where Went ... My Childhood?'
  43. 43 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Answer, With A Falling Inflection: ' Gone Is Your Childhood.'
  44. 44 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Plea: ' Bring Back My Childhood!'
  45. 45 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Response: ' Seek In ... Your Mem'ry. There It ... Will Be.'
  46. 46 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Ravel's Use Of Tone Colour To Change The Feeling Of The Music
  47. 47 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Further Illustration Of The Same Point
  48. 48 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Continued
  49. 49 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: The Nobility Of The Strings
  50. 50 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Bells Evoked By French Horns; The Final, Opulent, Moving Climax Of
  51. 51 Jeremy Siepmann: An Introduction To # Ravel: Bolero And Ma Mere L'oye: Le Jardin Feerique (Complete)

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