Benjamin Britten (1913-1976): The Prince of the Pagodas op.57 (Ballett)

Detailinformationen

  • Künstler: Royal Opera House Covent Garden Orchestra, Benjamin Britten
  • Label: Decca, ADD, 1957
  • Bestellnummer: 2311905
  • Erscheinungstermin: 20.4.2012

Disk 1 von 2

  1. 1 The Prince of the Pagodas, Op.57 (Original Version) Start
  2. 2 Prelude (Act 1) Start
  3. 3 The Fool and the Dwarf (Act 1) Start
  4. 4 The Emperor - March (Act 1) Start
  5. 5 Gavotte (Act 1) Start
  6. 6 The Four Kings (Act 1) Start
  7. 7 The King of the North (Act 1) Start
  8. 8 The King of the East (Act 1) Start
  9. 9 The King of the West (Act 1) Start
  10. 10 The King of the South (Act 1) Start
  11. 11 Belle Epine (Act 1) Start
  12. 12 Belle Rose (Act 1) Start
  13. 13 The Kings and Belle Rose (Act 1) Start
  14. 14 Triumph of Belle Epine (Act 1) Start
  15. 15 Rage of the Kings (Act 1) Start
  16. 16 The Four Frogs (Act 1) Start
  17. 17 Air (Act 2 Scene 1) Start
  18. 18 Water (Act 2 Scene 1) Start
  19. 19 Fire (Act 2 Scene 1) Start
  20. 20 Belle Rose in Pagoda-Land (Act 2 Scene 2) Start
  21. 21 The Pagodas (Act 2 Scene 2) Start
  22. 22 The Salamander (Act 2 Scene 2) Start
  23. 23 The Prince and Belle Rose (Act 2 Scene 2) Start

Disk 2 von 2

  1. 1 The Prince of the Pagodas, Op.57 (Original Version) Start
  2. 2 Belle Epine as Empress (Act 3 Scene 1) Start
  3. 3 The Old Emperor (Act 3 Scene 1) Start
  4. 4 Belle Rose and the Salamander (Act 3 Scene 1) Start
  5. 5 Transition (Act 3 Scene 1) Start
  6. 6 The Pagoda Ballet (Act 3 Scene 2) Start
  7. 7 Pas de Six (Act 3 Scene 2) Start
  8. 8 Variation 1 (Act 3 Scene 2) Start
  9. 9 Variation 2 (Act 3 Scene 2) Start
  10. 10 Variation 3 (Act 3 Scene 2) Start
  11. 11 Pas de Trois (Act 3 Scene 2) Start
  12. 12 Pas de Deux (Act 3 Scene 2) Start
  13. 13 Variation 4 (Act 3 Scene 2) Start
  14. 14 Variation 5 (Act 3 Scene 2) Start
  15. 15 Finale (Act 3 Scene 2) Start

Pressestimmen

U. Schreiber in stereoplay 8 / 1989: "Ein ungeniertes Werk: witzig in der Stilebenenverschiebung, grell und vulgär in seinen Music-Hall-Effekten - eine 'musica impura', hervorragend gespielt und aufgenommen."

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