Bela Bartok (1881-1945): Bela Bartok - A Portrait

Detailinformationen

Auszüge aus seinen Orchesterwerken, Kamermusiken & Klavierwerken.

  • Künstler: Jando, Pauk, Berkes, Vermeer Quartet, Polish National SO, Bournemouth Symphony Orchestra, Belgian Radio & Television PO, Budapest Symphony Orchestra, Alexander Rahbari, Marin Alsop u. a.
  • Label: Naxos, DDD
  • Bestellnummer: 6352640
  • Erscheinungstermin: 9.4.2007

Disk 1 von 2

  1. 1 Szabadban (Out of Doors), BB 89: Out of Doors, BB 89: No. 3. Musettes Start
  2. 2 Mikrokosmos, Book 6, BB 105: No. 142. From the Diary of a Fly Start
  3. 3 Music For Strings, Percussion And Celesta, Bb 114: Iii. Adagio Start
  4. 4 15 Hungarian Peasant Songs, BB 79: No. 1. Rubato Start
  5. 5 15 Hungarian Peasant Songs, BB 79: No. 2. Andante Start
  6. 6 15 Hungarian Peasant Songs, BB 79: No. 3. Poco rubato Start
  7. 7 15 Hungarian Peasant Songs, BB 79: No. 4. Andante: Scherzo Start
  8. 8 15 Hungarian Peasant Songs, BB 79: No. 5. Allegro Start
  9. 9 15 Hungarian Peasant Songs, BB 79: No. 6. Andante Start
  10. 10 15 Hungarian Peasant Songs, BB 79: No. 7. Allegro Start
  11. 11 15 Hungarian Peasant Songs, BB 79: No. 8. Allegretto Start
  12. 12 15 Hungarian Peasant Songs, BB 79: No. 9. Allegretto Start
  13. 13 15 Hungarian Peasant Songs, BB 79: No. 10. L'istesso tempo Start
  14. 14 15 Hungarian Peasant Songs, BB 79: No. 11. Assai moderato Start
  15. 15 15 Hungarian Peasant Songs, BB 79: No. 12. Allegretto Start
  16. 16 15 Hungarian Peasant Songs, BB 79: No. 13. Poco piu vivo Start
  17. 17 15 Hungarian Peasant Songs, BB 79: No. 14. Allegro Start
  18. 18 15 Hungarian Peasant Songs, BB 79: No. 15. Allegro Start
  19. 19 Rhapsody No. 1 for Violin and Piano, BB 94a: I. Lassu: Moderato Start
  20. 20 Rhapsody No. 1 for Violin and Piano, BB 94a: II. Friss: Allegretto moderato Start
  21. 21 String Quartet No. 2, BB 75: II. Allegro molto capriccioso Start
  22. 22 Dance Suite, BB 86a: I. Moderato Start
  23. 23 Dance Suite, BB 86a: II. Allegro molto Start
  24. 24 Mikrokosmos, Book 6, BB 105: No. 149. 6 Dances in Bulgarian Rhythm II Start
  25. 25 String Quartet No. 5, Bb 110: Iii. Scherzo Start
  26. 26 Mikrokosmos, BB 105, Vol. 1: No. 35. Chorale Start
  27. 27 Mikrokosmos, BB 105, Vol. 1: No. 32. In Dorian Mode Start
  28. 28 Mikrokosmos, BB 105, Vol. 1: No. 34. In Phrygian Mode Start
  29. 29 Mikrokosmos, Book 2, BB 105: No. 37. In Lydian Mode Start
  30. 30 Mikrokosmos, Book 4, BB 105: No. 105. Game (with two five-tone scales) Start
  31. 31 Violin Concerto No. 2, BB 117: I. Allegro non troppo Start

Disk 2 von 2

  1. 1 Contrasts, BB 116: II. Piheno (Relaxation): Lento Start
  2. 2 Piano Concerto No. 2, BB 101: II. Adagio - Piu adagio - Presto Start
  3. 3 String Quartet No. 5, BB 110: I. Allegro Start
  4. 4 Szabadban (Out of Doors), BB 89: Out of Doors, BB 89: No. 4. The Night's Music Start
  5. 5 Piano Concerto No. 3, BB 127: II. Adagio religioso Start
  6. 6 String Quartet No. 4, Bb 95: Iii. Non Troppo Lento Start
  7. 7 A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The Miraculous Mandarin, BB 82, Final scene: She resists Start
  8. 8 Violin Concerto No. 1, BB 48a: I. Andante sostenuto Start
  9. 9 Allegro barbaro, BB 63 Start
  10. 10 Concerto for Orchestra, BB 123: IV. Intermezzo interrotto: Allegretto Start
  11. 11 String Quartet No. 6, BB 119: IV. Mesto Start
  12. 12 Piano Concerto No. 3, Bb 127: Iii. Allegro Vivace Start

Produktinfo

  • 2 CDs with over 2½ hours of music
  • Illuminating essay by Stephen Johnson
  • Illustrated with photographs

Well over half a century after his death, Béla Bartók is held up as one of the twentieth century’s great musical modernists, routinely coupled with revolutionaries like Stravinsky, Schoenberg, Webern and Varèse. But Bartók’s was a very different kind of journey. In some ways he was also a great conservationist, collecting and cataloguing his country’s folksongs, and looking for new ideas in the sounds of nature. Bartók was not a creator of systems, never an iconoclast; rather he sought ways forward by turning music back to its primal, natural roots before the forces of urbanisation and mechanisation cut them off completely. His message is therefore as relevant today as it has ever been.

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