Antoine de Lhoyer (1768-1840): Duos concertantes für 2 Gitarren op.31 Nr.1-3

Detailinformationen

+Duo concertante op. 34 Nr. 2

  • Künstler: Matteo Mela & Lorenzo Micheli, Gitarren
  • Label: Naxos, DDD, 2005
  • Bestellnummer: 8750925
  • Erscheinungstermin: 26.2.2007
  1. 1 Duo Concertant in A major, Op. 31, No. 1: I. Allegro moderato Start
  2. 2 Duo Concertant in A major, Op. 31, No. 1: II. Adagio cantabile Start
  3. 3 Duo Concertant In A Major, Op. 31, No. 1: Iii. Rondo: Poco Vivace Start
  4. 4 Duo Concertant in E minor, Op. 31, No. 3: I. Allegro agitato Start
  5. 5 Duo Concertant in E minor, Op. 31, No. 3: II. Romance: Andante sostenuto Start
  6. 6 Duo Concertant In E Minor, Op. 31, No. 3: Iii. Rondo: Poco Vivace Start
  7. 7 Duo Concertant in C major, Op. 31, No. 2: I. Allegro moderato Start
  8. 8 Duo Concertant in C major, Op. 31, No. 2: II. Minuetto: Poco vivace Start
  9. 9 Duo Concertant In C Major, Op. 31, No. 2: Iii. Adagio Cantabile Start
  10. 10 Duo Concertant in C major, Op. 31, No. 2: IV. Allegretto Start
  11. 11 Duo Concertant in D minor, Op. 34, No. 2: I. Allegro Start
  12. 12 Duo Concertant in D minor, Op. 34, No. 2: II. Minuetto: Vivace Start
  13. 13 Duo Concertant In D Minor, Op. 34, No. 2: Iii. Adagio Cantabile Start
  14. 14 Duo Concertant in D minor, Op. 34, No. 2: IV. Rondo: Allegro Start

Produktinfo

Antoine de Lhoyer was one of the most eminent nineteenth-century composers for theguitar, as well as a teacher, professional musician and soldier. His concertante works fortwo guitars, for which he is now chiefly remembered, are a far cry from the customarysets of variations and collections of romances with guitar accompaniment of the period. The melodic and rhythmic incisiveness of the thematic material, often packed withreferences to the music of Mozart, the dramatic and almost theatrical dialogue betweenthe two instruments, and the frequent shifts from a simple accompanied melody to acomplex contrapuntual texture, provide for music of exceptional variety that has veryfew equals in early nineteenth-century guitar repertoire.

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