Alexander Glasunow (1865-1936): Masquerade (Bühnenmusik)

Detailinformationen

+2 Stücke op. 14;Pas de caractere op. 68;Romantic Intermezzo
op. 69

  • Künstler: Gnesin Academy Chorus, Russian PO, Dmitry Yablonsky
  • Label: Naxos, DDD, 2006
  • Bestellnummer: 8967679
  • Erscheinungstermin: 29.6.2009
  1. 1 Maskarad (Masquerade): Act I: Tableau 2 Start
  2. 2 Maskarad (Masquerade): Act I: Pantomime 1 Start
  3. 3 Maskarad (Masquerade): Act I: Mazurka Start
  4. 4 Maskarad (Masquerade): Act I: Pantomime 3 Start
  5. 5 Maskarad (Masquerade): Act I: Quadrille Start
  6. 6 Maskarad (Masquerade): Act I: Pantomime 4 Start
  7. 7 Maskarad (Masquerade): Act I: Scene 2 Start
  8. 8 Maskarad (Masquerade): Act I: Pantomime 5 Start
  9. 9 Maskarad (Masquerade): Act I: Scene 3 Start
  10. 10 Maskarad (Masquerade): Act I: Pantomime 6 Start
  11. 11 Maskarad (Masquerade): Act I: Scene 4 Start
  12. 12 Maskarad (Masquerade): Act I: Pantomime 7 Start
  13. 13 Maskarad (Masquerade): Act I: Entrance 7 Start
  14. 14 Maskarad (Masquerade): Act I: Pantomime 8 Start
  15. 15 Maskarad (Masquerade): Act I: Scene 6: Galop Start
  16. 16 Maskarad (Masquerade): Act Iii: Tableau 8: Polonaise Start
  17. 17 Maskarad (Masquerade): Act Iii: Tableau 3: Chiming Clock Start
  18. 18 Maskarad (Masquerade): Act Iii: Tableau 6 Start
  19. 19 Maskarad (Masquerade): Act Iii: Valse-Fantaisie Start
  20. 20 Maskarad (Masquerade): Act Iii: Tableau 9 Start
  21. 21 Maskarad (Masquerade): Act Iii: Entr'acte Start
  22. 22 Maskarad (Masquerade): Act IV: Scene 1 Start
  23. 23 Maskarad (Masquerade): Act IV: Entrance 6 Start
  24. 24 Maskarad (Masquerade): Act IV: Pantomime 11 Start
  25. 25 Maskarad (Masquerade): Act IV: Chorus Start
  26. 26 Maskarad (Masquerade): Act IV: Moderato Start
  27. 27 2 Pieces, Op. 14: No. 1. Idylle Start
  28. 28 2 Pieces, Op. 14: No. 2. Reverie orientale Start
  29. 29 Pas de caractere, Op. 68 Start
  30. 30 Romantic Intermezzo, Op. 69 Start

Produktinfo

Glazunov's beautifully scored incidental music for Lermontov's play Masquerade has only survived in manuscript. With characteristic genius, he illustrates both the glittering atmosphere and dances of splendid St Petersburg balls and depicts the horrifying descent into madness of the play's protagonist, Evgeny Arbenin, who jealously poisons his innocent wife. The shorter works on this disc likewise show Glazunov's amazing command of orchestral resources, whether evoking an exotic oriental vision, the vivacious spirit of Hungarian music, in the Pas de caractère, or painting a mood of gentle romantic lyricism.

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