Detailinformationen

+Thema & Variationen für 2 Violinen

  • Künstler: Maggini Quartet
  • Label: Naxos, DDD, 2005
  • Bestellnummer: 8230023
  • Erscheinungstermin: 8.1.2007
  1. 1 Theme and Variations: Theme: Allegro Start
  2. 2 Theme and Variations: Variation 1: Capriccietto Start
  3. 3 Theme and Variations: Variation 2: Siciliano Start
  4. 4 Theme and Variations: Variation 3: Cancrizzante Start
  5. 5 Theme and Variations: Variation 4: Rhapsodia Start
  6. 6 Theme and Variations: Variation 5: Notturno Start
  7. 7 Theme and Variations: Variation 6: Scherzetto Start
  8. 8 Theme and Variations: Variation 7: Ostinato Start
  9. 9 Theme and Variations: Variation 8: Canone Start
  10. 10 Theme and Variations: Variation 9: Fantasia Start
  11. 11 String Quartet No. 1, "Theme and Variations": Theme: Tempo giusto, espressivo e poco agitato Start
  12. 12 String Quartet No. 1, "Theme and Variations": Variation 1: L'istesso tempo Start
  13. 13 String Quartet No. 1, "Theme and Variations": Variation 2: Andante appassionato Start
  14. 14 String Quartet No. 1, "Theme and Variations": Variation 3: Allegro Start
  15. 15 String Quartet No. 1, "Theme and Variations": Variation 4: Adagio, poco misterioso Start
  16. 16 String Quartet No. 1, "Theme and Variations": Variation 5: Allegro preciso Start
  17. 17 String Quartet No. 1, "Theme and Variations": Variation 6: Prestissimo Start
  18. 18 String Quartet No. 2: I. Maestoso e pesante - Allegretto - Allegro agitato Start
  19. 19 String Quartet No. 2: II. Allegro appassionato sempre molto rubato Start
  20. 20 String Quartet No. 2: Iii. Allegretto Start
  21. 21 String Quartet No. 2: IV. Theme, Three Variations and Coda Start
  22. 22 String Quartet No. 3: I. Allegro deciso - Allegretto - Allegro deciso - Start
  23. 23 String Quartet No. 3: II. Alla ciacona: Andante Start
  24. 24 String Quartet No. 3: Iii. Molto Vivace Start

Produktinfo

Alan Rawsthorne's three published String Quartets mark the progression of style and language at salient points during his compositional career. String Quartet No. 1 is an early example of Rawsthorne's partiality for variation form. String Quartet No. 2 is more succinct and precise in expression and form, while the many-layered String Quartet No. 3, an austere work of unremitting intensity, is characteristic of the final period of Rawsthorne's creative output.

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